The Clever Woman of the FamilyYonge, Charlotte M. (Charlotte Mary)
General
The Clever Woman of the Family
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; Sex role -- Fiction; Single women -- Fiction; Women -- England -- Fiction; Young women -- Fiction
Murmur, murmur, rippled the child’s happy low-toned monologue directed
to her silent but sufficient playmate, and so far from disturbing the
aunt, that more than one smile played on her lips at the quaint fancies,
and at the well of gladness in the young spirit, which made day after
day of the society of a cripple and an old doll, one constant song of
bliss, one dream of bright imaginings. Surely it was an equalization
of blessings that rendered little lonely Rose, motherless and well nigh
fatherless, poor, with no companion but a crippled aunt, a bird and a
toad, with scarcely a toy, and never a party of pleasure, one of the
most joyous beings under the sun, free from occasions of childish
troubles, without collisions of temper, with few contradictions, and
with lessons rather pleasure than toil. Perhaps Ermine did not take
into account the sunshiny content and cheerfulness that made herself
a delightful companion and playfellow, able to accept the child as her
solace, not her burthen.
Presently Rose looked up, and meeting the bright pleasant eyes,
observed--“Violetta has been very good, and said all her lessons quite
perfect, and she would like to sit up till her Aunt Ailie comes home. Do
you think she may?”
“Will she not be tired to-morrow?”
“Oh, then she will be lazy, and not get up when she is called, till I
pull all the clothes off, and that will be fun.”
“Or she may be fretful now?”
A series of little squeaks ensued, followed by “Now, my love; that is
taking a very unfair advantage of my promise. You will make your poor
Aunt Ermine’s head ache, and I shall have to send you to bed.”
“Would not a story pass away the time?”
“You tell it, Aunt Ermine; your stories are always the best. And let
there be a fairy in it!”
The fairy had nearly performed her part, when the arrival took place,
and Rose darted forward to receive Aunt Ailie’s greeting kiss.
“Yes, Rosie--yes, Violetta; what do you think I have got for you?”
And out came a doll’s chair with a broken leg, condemned by the
departing pupils, and granted with a laugh to the governess’s request
to take it to her little niece; but never in its best days had the chair
been so prized. It was introduced to Violetta as the reward of virtue
for having controlled her fretfulness, and the repair of its infirmity
was the first consideration that occupied all the three. After all,
Violetta’s sitting posture was, as Alison observed, an example of the
inclined plane, but that was nothing to Rose, and the seance would
have been indefinitely prolonged, but for considerations for Violetta’s
health.
Public-domain text, read in full here on John Shaqi.
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