The clipper ship era: an epitome of famous American and British clipper ships, their owners, builders, commanders, and crews, 1843-1869Clark, Arthur H.
History
The clipper ship era: an epitome of famous American and British clipper ships, their owners, builders, commanders, and crews, 1843-1869
Clark, Arthur H.
Clipper ships -- Great Britain; Clipper ships -- United States
Many of their figureheads were of considerable artistic excellence,
being designed by skilful artists, some of whom have already been
mentioned. The _Romance of the Seas_ carried the full-length figure of
an ancient navigator, whose original might have stood on the high poop
of Magellan’s flag-ship, with head bent forward and right hand raised to
shade his eager eyes, as he gazed upon an unknown land in an uncharted
sea. The _Sea Serpent_ carried a long slender serpent, whose life-like,
slimy-looking body, picked out in shades of green and gold, suggested
his recent escape from the waters of one of the summer resorts along the
Atlantic coast. The _Nightingale_ carried a beautiful bust of Jenny
Lind, for whom she was named. The _Panama_ carried at her bow a nude,
full-length figure of a beautiful woman with arms extended, pure white
and of great artistic merit, perhaps the most beautiful figurehead ever
carried by a ship. The _Flying Fish_ carried a fish on the wing, of
life-like color and giving a vivid sense of speed; the _Witchcraft_, a
grim Salem witch riding upon her aerial broomstick; the _Game-Cock_, a
fighting bird with outstretched neck and head, apparently eager for
combat; the _Northern Light_, the full-length figure of an angelic
creature in flowing white drapery, one graceful arm extended above her
head, and bearing in her slender hand a torch with golden flame.
One of the most striking figureheads was the tall square-built sailor,
with dark curly hair and bronzed clean-shaven face, who stood at the bow
of the _Champion of the Seas_. A black belt with a massive brass buckle
supported his white trousers, which were as tight about the hips as the
skin of an eel, and had wide, bell-shaped bottoms that almost hid his
black polished pumps. He wore a loose-fitting blue-and-white-checked
shirt, with wide, rolling collar, and black neck handkerchief of ample
size, tied in the most rakish of square knots with long flowing ends.
But perhaps the most impressive of this mariner’s togs were his
dark-blue jacket, and the shiny tarpaulin hat which he waved aloft in
the grip of his brawny, tattooed right hand. The only exception that one
could possibly take to this stalwart sailorman was that his living
prototype was likely to be met with so very seldom in real life. There
were many other figureheads that might be mentioned, but these are best
remembered.
Public-domain text, read in full here on John Shaqi.
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