The clipper ship era: an epitome of famous American and British clipper ships, their owners, builders, commanders, and crews, 1843-1869Clark, Arthur H.
History
The clipper ship era: an epitome of famous American and British clipper ships, their owners, builders, commanders, and crews, 1843-1869
Clark, Arthur H.
Clipper ships -- Great Britain; Clipper ships -- United States
Perhaps, the most marked difference between American merchant ships and
those of other nations was in regard to the use of wine and spirits. On
board British ships grog was served out regularly to the men before the
mast, and the captain and officers were allowed wine money. Nothing of
this sort was permitted on American vessels. Robert Minturn, of the
firm of Grinnell, Minturn & Co., in his evidence before a parliamentary
committee in 1848, stated that teetotalism not only was encouraged by
American ship-owners, but actually earned a bonus from underwriters, who
offered a return of ten per cent of the insurance premium upon voyages
performed without the consumption of spirits. On board the packet ships
and other vessels which carried passengers, there was always wine on the
captain’s table, but the captain and officers rarely made use of it. The
sailors were allowed plenty of hot coffee, night or day, in heavy
weather, but grog was unknown on board American merchant ships.
In those days, after a New York clipper had finished loading, it was the
custom for her to drop down the East River and anchor off Battery Park,
then a fashionable resort, where she would remain for a few hours to
take her crew on board and usually to ship from five to ten tons of
gunpowder, a part of her cargo that was stowed in the main hatch, to be
easily handled in case of fire. Tow-boats were not as plentiful in New
York harbor as at present, and unless the wind was ahead or calm, the
clippers seldom made use of them, for with a leading breeze these ships
would sail to and from Sandy Hook much faster than they could be towed.
One of the clippers getting under way off Battery Park was a beautiful
sight, and an event in which a large part of the community was
interested.
The people who gathered at Battery Park to see a clipper ship get under
way, came partly to hear the sailors sing their sea songs, or chanties,
which were an important part of sea life in those days, giving a zest
and cheeriness on shipboard, which nothing else could supply. It used to
be said that a good chanty man was worth four men in a watch, and this
was true, for when a crew knocked off chantying, there was something
wrong--the ship seemed lifeless. These songs originated early in the
nineteenth century, with the negro stevedores at Mobile and New Orleans,
who sung them while screwing cotton bales into the holds of the American
packet ships; this was where the packet sailors learned them. The words
had a certain uncouth, fantastic meaning, evidently the product of
undeveloped intelligence, but there was a wild, inspiring ring in the
melodies, and, after a number of years, they became unconsciously
influenced by the pungent, briny odor and surging roar and rhythm of the
ocean, and howling gales at sea. Landsmen have tried in vain to imitate
them; the result being no more like genuine sea songs than skimmed milk
is like Jamaica rum.
Public-domain text, read in full here on John Shaqi.
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