Cyborgs -- Fiction; Science fiction; Time travel -- Fiction
"Well, let him stop there," growled Allingham, restarting the car with
a vicious jerk, "let someone else bother their heads about him. I don't
want him. I tell you I don't care a brass farthing about the future of
the human race. I'm quite content to take the good and bad in life, and
I want it to go on in the same damned old way."
Gregg beat his fist into his open palm. "But that's just what has
happened," he exclaimed, "they've found a way of keeping on just the
same. That explains the Clarkson business. If the clock is what I think
it is, that precisely is its function."
Allingham shouted out some impatient rejoinder, but it was drowned in
the rising roar of the engine as they sped along the road.
II
So the argument had waged since the telling of Tom Driver's story.
Gregg's chief difficulty was to get Allingham to see that there really
might be something in this theory of a world in which merely trivial
things had become permanent, whilst the cosmos itself, the hitherto
unchanging outer environment of man's existence, might have opened up
in many new directions. Man might have tired of waiting for a so long
heralded eternity, and made one out of his own material tools. The
Clockwork man, now crystallised in Gregg's mind as an unforgetable
figure, seemed to him to stand for a sort of rigidity of personal being
as opposed to the fickleness of mere flesh and blood; but the world
in which he lived probably had widely different laws, if indeed it had
humanly comprehensible laws at all.
The clock, perhaps, was the index of a new and enlarged order of
things. Man had altered the very shape of the universe in order to be
able to pursue his aims without frustration. That was an old dream of
Gregg's. Time and Space were the obstacles to man's aspirations, and
therefore he had invented this cunning device, which would adjust his
faculties to some mightier rhythm of universal forces. It was a logical
step forward in the path of material progress.
That was Gregg's dimly conceived theory about the mystery, although,
of course, he read into the interpretation a good deal of his own
speculations. His imagination seized upon the clock as the possible
symbol of a new counterpoint in human affairs. In his mind he saw man
growing through the ages, until at last, by the aid of this mechanism,
he was able to roll back the skies and reveal the vast other worlds
that lay beyond, the unthinkable mysteries that lurked between the
stars, all that had been sealed up in the limited brain of man since
creation. From that extreme postulate it would be necessary to work
backward, until some reasonable hypothesis could be found to explain
the working of the clock mechanism. That difficulty, even, might be
overcome if only an opportunity occurred to examine this strange being
from the future, or if he could be prevailed upon to explain matters
himself.
Public-domain text, read in full here on John Shaqi.
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