She whose name was so fiercely interdicted in this house, was much
spoken of, and even pitied, elsewhere. All Sevenbergen was sorry for
her, and the young men and maidens cast many a pitying glance, as they
passed, at the little window where the beauty of the village lay "dying
for love." In this familiar phrase they underrated her spirit and
unselfishness. Gerard was not dead, and she was too loyal herself to
doubt his constancy. Her father was dear to her and helpless; and, but
for bodily weakness, all her love for Gerard would not have kept her
from doing her duties, though she might have gone about them with
drooping head and heavy heart. But physical and mental excitement had
brought on an attack of fever so violent, that nothing but youth and
constitution saved her. The malady left her at last, but in that
terrible state of bodily weakness in which the patient feels life a
burden.
Then it is that love and friendship by the bedside are mortal angels
with comfort in their voices, and healing in their palms.
But this poor girl had to come back to life and vigour how she could.
Many days she lay alone, and the heavy hours rolled like leaden waves
over her. In her enfeebled state existence seemed a burden, and life a
thing gone by. She could not try her best to get well. Gerard was gone.
She had not him to get well for. Often she lay for hours quite still,
with the tears welling gently out of her eyes.
One day, waking from an uneasy slumber, she found two women in her room.
One was a servant, the other by the deep fur on her collar and sleeves
was a person of consideration: a narrow band of silvery hair, being
spared by her coiffure, showed her to be past the age when women of
sense conceal their years. The looks of both were kind and friendly.
Margaret tried to raise herself in the bed, but the old lady placed a
hand very gently on her.
"Lie still, sweetheart; we come not here to put you about, but to
comfort you, God willing. Now cheer up a bit, and tell us, first, who
think you we are?"
"Nay, madam, I know you, though I never saw you before: you are the
demoiselle Van Eyck, and this is Reicht Heynes. Gerard has oft spoken of
you, and of your goodness to him. Madam, he has no friend like you near
him now," and at this thought she lay back and the tears welled out of
her eyes in a moment.
The good-natured Reicht Heynes began to cry for company; but her
mistress scolded her. "Well, you are a pretty one for a sick-room," said
she: and she put out a world of innocent art to cheer the patient: and
not without some little success. An old woman, that has seen life and
all its troubles, is a sovereign blessing by a sorrowful young woman's
side. She knows what to say, and what to avoid. She knows how to soothe
her and interest her. Ere she had been there a hour, she had Margaret's
head lying on her shoulder instead of on the pillow, and Margaret's soft
eyes dwelling on her with gentle gratitude.
Public-domain text, read in full here on John Shaqi.
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