The cloven foot : $b A novelBraddon, M. E. (Mary Elizabeth)
General
The cloven foot : $b A novel
Braddon, M. E. (Mary Elizabeth)
Detective and mystery stories; Domestic fiction; Inheritance and succession -- Fiction; Psychological fiction
She was thoroughly French. Of that there was no doubt. She was no
scion of the English houses of Brown, Jones, or Robinson, born and
bred in a London back slum, and christened plain Sarah or Mary, to be
sophisticated later into Celestine or Mariette. Zaïre Chicot was a
weed grown on Gallic soil. All that there was of the most Parisian La
Chicot called herself; but her accent and many of her turns of phrase
belied her, and to the enlightened ear of her compatriots betrayed her
provincial origin. The loyal and pious province of Brittany claimed
the honour of La Chicot’s birth. Her innocent childhood had been
spent among the fig-trees and saintly shrines of Auray. Not till her
nineteenth year had she seen the long, dazzling boulevards stretching
into unfathomable distance before her eyes; the multitudinous lamps;
the fairy-like kiosks--all infinitely grander and more beautiful
than the square of Duguesclin at Dinan illuminated with ten thousand
lampions on a festival night. Here in Paris life seemed an endless
festival.
Paris is a mighty schoolmaster, a grand enlightener of the provincial
intellect. Paris taught La Chicot that she was beautiful. Paris taught
La Chicot that it was pleasanter to whirl and bound among serried ranks
of other Chicots in the fairy spectacle of ‘The Sleeping Beauty,’
or the ‘Hart with the Golden Collar,’ clad in scantiest drapery,
but sparkling with gold and spangles, with hair flowing wild as a
Mænad’s, and satin boots at two napoleons the pair, than to toil among
laundresses on the quay. La Chicot had come to Paris to get her living,
and she got it very pleasantly for herself as a member of the _corps
de ballet_, a cypher in the sum total of those splendid fairy
spectacles, but a cypher whose superb eyes and luxuriant hair, whose
statuesque figure and youthful freshness did not fail to attract the
notice of individuals.
She was soon known as the belle of the ballet, and speedily made
herself obnoxious to the principal dancers, who resented her superior
charms as an insolence, and took every occasion to snub her. But while
her own sex was unkind, the sterner sex showed itself gentle to la
belle Chicot. The ballet-master taught her steps which he taught to
none other of the sisterhood under his tuition; he made opportunities
for giving her a solo dance now and then; he pushed her to the
front; and at his advice she migrated from the large house where she
was nobody, to a smaller house in the students’ quarter, a popular
little theatre on the left bank of the Seine, amidst a labyrinth of
narrow streets and tall houses between the School of Medicine and the
Sorbonne, where she soon became everybody. _C’était le plus gentil
de mes rats_, cried the ballet-master regretfully, when La Chicot
had been tempted away. _Cette petite ira loin_, said the manager,
vexed with himself for having let his handsomest coryphée slip through
his fingers; _elle a du chien_.
Public-domain text, read in full here on John Shaqi.
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