The cloven foot : $b A novelBraddon, M. E. (Mary Elizabeth)
General
The cloven foot : $b A novel
Braddon, M. E. (Mary Elizabeth)
Detective and mystery stories; Domestic fiction; Inheritance and succession -- Fiction; Psychological fiction
La Chicot was delighted at being engaged by a London manager, who
offered her a better salary than she was getting at the students’
theatre. She did not like the idea of London, which she imagined a city
given over to fog and lung disease, but she was very glad to leave the
scene where she felt that her laurels were fast withering. She gave her
husband no thanks for his intervention, and went on railing at him for
not having got her an engagement on the boulevard.
‘It is to bury myself to go to your dismal London,’ she exclaimed; ‘but
anything is better than to dance to an assembly of idiots and cretins.’
‘London is not half a bad place,’ answered Jack Chicot, with his
listless air, as of a man long wearied of life, and needing a stimulant
as strong as aquafortis to rouse him to animation. ‘It is a big crowd
in which one may lose one’s identity. Nobody knows one, one knows
nobody. A man’s sense of shame gets comfortably deadened in London. He
can walk the streets without feeling that fingers are being pointed at
him. It is all the same to the herd whether he has just come out of a
penitentiary or a palace. Nobody cares.’
The Chicots crossed the Channel, and took lodgings in a street in the
neighbourhood of Leicester Square, near which, as everyone knows, the
Prince Frederick is situated. It was a dingy street, offering scanty
attractions to the stranger, but it was a street which from the days of
Garrick and Woffington had been favoured by actors and actresses, and
Mr. Smolendo recommended the Chicots to seek a lodging there. He gave
them the names of three or four householders who let lodgings to ‘the
profession,’ and among these Madame Chicot made her choice.
The apartments which pleased her best were two fair-sized rooms on a
first floor, furnished with a tawdry pretentiousness which would have
been odious to a refined eye, and which was particularly offensive
to Jack’s artistic taste. The cheap velvet on the chairs, the gaudy
tapestry curtains, the tarnished ormolu clock and candelabra, delighted
La Chicot. It was almost Parisian, she told her husband.
The drawing-room and bedroom communicated with folding-doors. There
was a little third room--a mere hole--with a window looking northward,
which would do for Jack to paint in. That convenience reconciled Jack
to the shabby finery of the sitting-room, the doubtful purity of the
bedroom, the woe-begone air of the street, with its half-dozen dingy
shops sprinkled among the private houses, like an eruption.
‘How it is ugly, your London!’ exclaimed La Chicot. ‘Is it that all the
city resembles this, by example?’
‘No,’ answered Jack, with his cynical air. ‘There are brighter-looking
streets, where the respectable people live.’
‘What do you call respectable people?’
‘The people who pay income-tax on two or three thousand a year.’
Jack inquired as to the other lodgers. It was as well to find out what
kind of neighbours they were to have.
Public-domain text, read in full here on John Shaqi.
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