At the far end of the entrance cavern two doors side by side still
bore the name of artists, one of whom had lately blossomed into an
Academician and been transplanted to the sunnier region of Bedford
Park, while the other had exchanged the brush for some more promising
weapon in what, I fear, had been a losing fight with Fortune. Only
the initiated knew that the door still bearing the name of J. Loftus,
A.R.A., was now that of the Domino Club; while its companion, from
which the name of Yelverton had been roughly effaced, served as a
back door for the use of the tradesmen and servants of the club, and
also for such members as had reasons of their own for not coming
through the streets in fancy costume. For their benefit a row of small
dressing-rooms had been fitted up, in which they could transform
themselves from sober moths into bright artificial butterflies and back
again.
In front of the club entrance an officer in plain clothes was stationed
who recognized Sir Frank with a respectful salute.
“You will find Inspector Charles inside, sir,” he said, opening the
door for us.
We found ourselves in a dark narrow passage empty of everything but
cloak- and hat-pegs. A door at the further end opened straight into
the dancing-room.
The former studio had been decorated in a fashion evidently meant to
recall the Arabian Nights Entertainment. Vistas of Moorish arches and
fountains playing among palms and oleanders had been painted on the
walls. At intervals wooden columns had been set up to support curtains
of gauze embroidered so as to afford a half concealment to the nooks
that they enclosed. The whole place was still suffused with the lurid
glow of a series of red lanterns hanging from the roof. But a glass
door at the further end had been thrown open to admit the daylight, and
where it reached the crimson glow became haggard and spectral and the
whole place had the air of an old woman’s face from which the paint had
peeled in streaks, revealing the wrinkles and sharp bones beneath.
Inspector Charles, tall, upright, and looking the personification of
law and order, stood beside one of the curtained alcoves close to the
garden door, and invited us with a solemn gesture to approach.
This was the moment I had been dreading. I endeavoured to keep my face
passive, and give no sign of recognition, as I came behind my chief and
took my first glance at the spectacle the Inspector had to show us.
Public-domain text, read in full here on John Shaqi.
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