He led the way out of the library again, and along a corridor still
more deserted and dismal than the hall. It ended at a locked and barred
door which he unfastened with some effort.
“This is the way into the ruins,” he explained. “You can pass out
from them into a path that leads through the home meadows up to the
Moorfield Farm. It’s a public footpath, and if anyone sees you they’ll
think you’ve been exploring the ruins from outside.”
Nothing could have suited better with my plans. I knew the path, and
knew that at a certain point another diverged from it and led through a
well-remembered wood to the barn where I had asked Violet Bredwardine
to meet me.
I passed out into the Castle grounds and clambered over the crumbling
walls and fallen stones till I found myself on the path. And now every
step became tragical. I was treading on the ashes of the fire in which
two hearts had been scorched and branded with a mark that could never
be effaced. The grass beside the narrow footway seemed to be stained
with blood. I drew my breath in pain as I mounted the slope towards the
lonely little farm-house in which I had passed the most glorious and
the most miserable hours of my life. When I came to the gate into the
wood, I stopped and leant upon it panting, and hardly able to proceed.
The wood was haunted by ghosts more dreadful to me than any spirits
of the dead; the ghosts of passion and of pain, the ghosts of love
and hatred, of that most terrible of all hatred which is born of love
betrayed.
I shuddered as I thrust open the gate and stepped beneath the trees. A
sombre fir drooped like a weeping willow over one spot where the way
was crossed by a trickling spring that plunged and disappeared down
a steep gully choked with brambles and dark ferns. But there was a
worse point than that to pass. A tall beech sent out its roots on to
the path, and on the smooth rind of its trunk were cut two initial
letters entwined--a V and B. The very knife that had scored them there
lay in my pocket; I had never parted with it. What madness had tempted
me to blazon our secret to the inquisitive country-side? I had used
one precaution: I had cut the proclamation of our love on the side of
the trunk that was hidden from the public way. Now, when I reached
the tree, I forced a passage through the undergrowth to see how time
and weather had dealt with that vain memorial. A bitter shock awaited
me. Every vestige of the monogram had been destroyed by deep cuts and
slashes in the bark. Only a confused web of scars and scratches marked
the place. The tree’s wounds seemed to reproduce the wounds upon two
hearts.
Public-domain text, read in full here on John Shaqi.
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