The Club of Queer TradesChesterton, G. K. (Gilbert Keith)
General
The Club of Queer Trades
Chesterton, G. K. (Gilbert Keith)
Detective and mystery stories, English; Private investigators -- England -- London -- Fiction
“You could not adopt the ordinary explanation. The ordinary explanation
of putting on singular clothes is that you look nice in them; you would
not think that Lord Kitchener dressed up like a ballet girl out of
ordinary personal vanity. You would think it much more likely that
he inherited a dancing madness from a great grandmother; or had been
hypnotised at a seance; or threatened by a secret society with death if
he refused the ordeal. With Baden-Powell, say, it might be a bet--but
not with Kitchener. I should know all that, because in my public days
I knew him quite well. So I know that letter quite well, and criminals
quite well. It's not a criminal's letter. It's all atmospheres.” And he
closed his eyes and passed his hand over his forehead.
Rupert and the Major were regarding him with a mixture of respect and
pity. The former said,
“Well, I'm going, anyhow, and shall continue to think--until your
spiritual mystery turns up--that a man who sends a note recommending a
crime, that is, actually a crime that is actually carried out, at
least tentatively, is, in all probability, a little casual in his moral
tastes. Can I have that revolver?”
“Certainly,” said Basil, getting up. “But I am coming with you.” And he
flung an old cape or cloak round him, and took a sword-stick from the
corner.
“You!” said Rupert, with some surprise, “you scarcely ever leave your
hole to look at anything on the face of the earth.”
Basil fitted on a formidable old white hat.
“I scarcely ever,” he said, with an unconscious and colossal arrogance,
“hear of anything on the face of the earth that I do not understand at
once, without going to see it.”
And he led the way out into the purple night.
We four swung along the flaring Lambeth streets, across Westminster
Bridge, and along the Embankment in the direction of that part of Fleet
Street which contained Tanner's Court. The erect, black figure of Major
Brown, seen from behind, was a quaint contrast to the hound-like stoop
and flapping mantle of young Rupert Grant, who adopted, with childlike
delight, all the dramatic poses of the detective of fiction. The finest
among his many fine qualities was his boyish appetite for the colour and
poetry of London. Basil, who walked behind, with his face turned blindly
to the stars, had the look of a somnambulist.
Rupert paused at the corner of Tanner's Court, with a quiver of delight
at danger, and gripped Basil's revolver in his great-coat pocket.
“Shall we go in now?” he asked.
“Not get police?” asked Major Brown, glancing sharply up and down the
street.
“I am not sure,” answered Rupert, knitting his brows. “Of course, it's
quite clear, the thing's all crooked. But there are three of us, and--”
“I shouldn't get the police,” said Basil in a queer voice. Rupert
glanced at him and stared hard.
“Basil,” he cried, “you're trembling. What's the matter--are you
afraid?”
“Cold, perhaps,” said the Major, eyeing him. There was no doubt that he
was shaking.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account