The Club of Queer TradesChesterton, G. K. (Gilbert Keith)
General
The Club of Queer Trades
Chesterton, G. K. (Gilbert Keith)
Detective and mystery stories, English; Private investigators -- England -- London -- Fiction
“No, thank you very much, Mr Bingham,” said Grant heartily. “I think I
will go and have a chat with the professor in the garden.”
The conversation between Chadd and Grant appeared to be personal and
friendly. They were still dancing when I left.
Chapter 6. The Eccentric Seclusion of the Old Lady
The conversation of Rupert Grant had two great elements of
interest--first, the long fantasias of detective deduction in which he
was engaged, and, second, his genuine romantic interest in the life of
London. His brother Basil said of him: “His reasoning is particularly
cold and clear, and invariably leads him wrong. But his poetry comes
in abruptly and leads him right.” Whether this was true of Rupert as a
whole, or no, it was certainly curiously supported by one story about
him which I think worth telling.
We were walking along a lonely terrace in Brompton together. The street
was full of that bright blue twilight which comes about half past eight
in summer, and which seems for the moment to be not so much a coming of
darkness as the turning on of a new azure illuminator, as if the earth
were lit suddenly by a sapphire sun. In the cool blue the lemon tint of
the lamps had already begun to flame, and as Rupert and I passed them,
Rupert talking excitedly, one after another the pale sparks sprang out
of the dusk. Rupert was talking excitedly because he was trying to
prove to me the nine hundred and ninety-ninth of his amateur detective
theories. He would go about London, with this mad logic in his brain,
seeing a conspiracy in a cab accident, and a special providence in a
falling fusee. His suspicions at the moment were fixed upon an unhappy
milkman who walked in front of us. So arresting were the incidents which
afterwards overtook us that I am really afraid that I have forgotten
what were the main outlines of the milkman's crime. I think it had
something to do with the fact that he had only one small can of milk to
carry, and that of that he had left the lid loose and walked so quickly
that he spilled milk on the pavement. This showed that he was not
thinking of his small burden, and this again showed that he anticipated
some other than lacteal business at the end of his walk, and this (taken
in conjunction with something about muddy boots) showed something else
that I have entirely forgotten. I am afraid that I derided this detailed
revelation unmercifully; and I am afraid that Rupert Grant, who,
though the best of fellows, had a good deal of the sensitiveness of the
artistic temperament, slightly resented my derision. He endeavoured to
take a whiff of his cigar, with the placidity which he associated with
his profession, but the cigar, I think, was nearly bitten through.
“My dear fellow,” he said acidly, “I'll bet you half a crown that
wherever that milkman comes to a real stop I'll find out something
curious.”
“My resources are equal to that risk,” I said, laughing. “Done.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account