Ludlow went back to New York and took up his work with vigor and with
fervor. The picture of the County Fair, which he exhibited at the
American Artists', ran a gauntlet of criticism in which it was
belabored at once for its unimaginative vulgarity and its fantastic
unreality; then it returned to his studio and remained unsold, while
the days, weeks, months and years went by and left each their fine
trace on him. His purposes dropped away, mostly unfulfilled, as he grew
older and wiser, but his dreams remained and he was still rich in a
vast future. His impressionism was somewhat modified; he offered his
palette less frequently to the public; he now and then permitted a
black object to appear in his pictures; his purples and greens were
less aggressive. His moustache had grown so thick that it could no
longer be brushed up at the points with just the effect he desired, and
he suffered it to branch straight across his cheeks; his little dot of
an imperial had become lost in the beard which he wore so
conscientiously trimmed to a point that it might be described as
religiously pointed. He was now twenty-seven.
At sixteen Cornelia Saunders had her first love-affair. It was with a
young man who sold what he called art-goods by sample--satin banners,
gilt rolling-pins, brass disks and keramics; he had permitted himself
to speak to her on the train coming over from the Junction, where she
took the cars for Pymantoning one afternoon after a day's shopping with
her mother in Lakeland. It did not last very long, and in fact it
hardly survived the brief stay which the young man made in Pymantoning,
where his want of success in art-goods was probably owing to the fact
that he gave his whole time to Cornelia, or rather Cornelia's mother,
whom he found much more conversable; he played upon the banjo for her,
and he danced a little clog-dance in her parlor, which was also her
shop, to the accompaniment of his own whistling, first setting aside
the bonnet-trees with their scanty fruitage of summer hats, and pushing
the show-table against the wall. "Won't hurt 'em a mite," he reassured
her, and he struck her as a careful as well as accomplished young man.
His passion for Cornelia lingered a while in letters, which he proposed
in parting, and then, about six months later, Mrs. Saunders received
the newspaper announcement of his marriage to Miss Tweety Byers of
Lakeland. There were "No Cards," but Mrs. Saunders made out, with Mrs.
Burton's help, that Tweety was the infantile for the pet name of
Sweety; and the marriage seemed a fit union for one so warm and true as
the young traveller in art-goods.
Public-domain text, read in full here on John Shaqi.
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