"You can't. I've painted it out." Ludlow ran down one flight of the
stairs, and then came stumbling quickly back. "I say, Wetmore. Do you
tell your wife everything?"
"My dear boy, I don't tell her anything. She finds it out. But, then,
_she_ never tells anybody."
XXVII.
Ludlow sent word again to Charmian that he should not be able to keep
his appointment for the afternoon, and as soon as he could hope to find
Cornelia at home from the Synthesis, he went to see her.
He began abruptly, "I came to tell you, Miss Saunders, when I first
thought of painting Miss Maybough, and now I've come to tell you that
I've given it up."
"Given it up?" she repeated.
"You've seen the failures I've made. I took my last one home yesterday,
and painted it out." He looked at Cornelia, but if he expected her to
give him any sort of leading, he was disappointed. He had to conclude
unaided, "I'm not going to try any more."
She did not answer, and he went on, after a moment: "Of course, it's
humiliating to make a failure, but it's better to own it, and leave it
behind you; if you don't own it, you have to carry it with you, and it
remains a burden."
She kept her eyes away from him, but she said, "Oh, yes; certainly."
"The worst of it was the disappointment I had to inflict upon Mrs.
Maybough," he went on uneasily. "She was really hurt, and I don't
believe I convinced her after all that I simply and honestly couldn't
get the picture. I went to tell her this afternoon, and she seemed to
feel some sort of disparagement--I can't express it--in my giving it
up."
He stopped, and Cornelia asked, as if forced to say something, "Does
Charmian know?"
"I suppose she does, by this time," said Ludlow. He roused himself from
a moment of revery, and added, "But I didn't intend to oppress you with
this. I want to tell you something--else."
He drew a deep breath. She started forward where she sat, and looked
past him at the door, as if to see whether the way of escape was clear.
He went on: "I took Wetmore there with me yesterday, and I showed him
your sketches, and he thinks you might get one of them into the Academy
exhibition in the spring, after you've carried it a little farther."
She sank back in her chair. "Does he?" she asked listlessly, and she
thought, as of another person, how her heart would once have thrilled
at the hope of this.
"Yes. But I don't feel sure that it would be well," said Ludlow. "I
wanted to say, though, that I shall be glad to come and be of any
little use I can if you're going on with it."
Public-domain text, read in full here on John Shaqi.
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