The stage was a narrow shelf of wood swung in that void, from which the voice sang, and a bare finger of light followed it about from place to place. The sweet, searching tenor notes, the semblance of passion and reality the gesticulating Frenchman threw over all the stage, and the _crescendo_ of the tragedy carried her into a mood that barred out Ella, barred out Clara, barred out Harry more than any; but, unaccountably, Kerr was still with her. He was there by no will of hers, but by some essence of his own, some quality that linked him, as it linked her, to the passionate subtleties of life. He seemed to her the eager spirit that was prompting and putting forward this comedy and tragedy playing on before her. She heard him reasserted, vigorous, lawless, wandering, in the voice of the mimic strolling player addressing his mimic audience. The appeal of the tenor to the voiceless galleries, "Underneath this little play we show, there is another play," seemed indeed the very voice of Kerr repeating itself. And with the climax of the sharp tragedy in the middle of the comic stage she placed him again, but placed him this time in the mimic audience looking on, neither applauding nor dissenting; but rather as if he watched the play and played it, too. The lights went up with a spring. A wave of motion flickered over the house, the talking voices burst forth all at once, and she saw him, really saw him for the first time that evening, as in her fancy, part of the audience; as in her fancy, neither applauding nor dissenting, yet with what a difference! He leaned back in his chair, and leaned his head a little back, as if, for weariness, he wished there were a rest behind it; and how indifferently, how critically, how levelly he surveyed the fluttered house, and the figures in the box beside him! How foreign he appeared to the ardent spirit who had dominated the dark; how emptied of the heat of imagination, how worn, how dry; and even in his salience, how singularly pathetic! He was neither the satanic person of the first night, nor her comrade of the Presidio hills. And if the expression of his face was not quite so cheap as cynicism, it was just the absence of belief in anything. She felt a lump in her throat, an ache of the cruelest disappointment, as though some masker, masking as the fire of life, had suddenly removed the covering of his face and showed her the burnt-out bones beneath. The shift from what she remembered him to what he now appeared was too rapid and considerable for her. She found herself looking at him through a mist of tears--there in the heart of publicity, in the middle of the circle of red velvet curtains!