The _Intermezzo_ was playing, and to speak under the music he leaned so
close his shoulder touched her chair. Through that narrow space between
them, almost beneath his eyes, she moved her hand--a gesture so slightly
emphasized as to seem accident. He had started to speak, but her motion
seemed to stop his tongue. He looked hard at her hand, and something
violent in his intentness made her clutch the side of the chair.
Instantly she met his look, so fiercely, cruelly challenging, that it
took her like a blow. For a moment they looked at each other, her eyes
wide with fright, his narrowed to a glare under the terrible intentness
of his brows. What had she done? What threatened her? What could save
her in this sea of people? Then, while she gazed, his challenge burned
out to a pale hard scrutiny, that faded to no expression at all--or was
it that any expression would have seemed dim after the terrible one that
had flashed across his face?
She was as shaken as if he had seized hold of her. If he had snatched
the ring off her finger she wouldn't have been more shocked. The whole
box must be transfixed by him, and the whole house be looking at nothing
but their little circle of horror! She was ready for it. She was braced
for anything but the fact which actually confronted her--that no one had
noticed them at all. It was monstrous that such a thing could have been
without their knowing! But there was no face in all the orchestra, the
crowded galleries, or the tiers of boxes to affirm that anything had
happened; no face in their own box had even stirred, but Clara's, and
that had merely turned from profile to the full, faintly inquiring,
mild, and palely pink in the warm reflections of the red velvet
curtains.
And what could Clara have seen, if she had seen at all, but Flora a
little paler than usual with a hand that trembled; and what worse could
Clara conjecture than that she was being silly about Kerr? She turned
slowly toward him, and looked at him with a courage that was part of her
fear. But wasn't she, in a way, being silly about Kerr? What had become
of his expression that had threatened her? There was nothing left of it
but her own violent impression--and the longer Kerr sat there, talking
from her to Clara, from Clara to Judge Buller, his eyes keeping pace
with his light conversational flights, the less Flora felt sure he had
ever fixed her with that intensity.
And yet the thing had actually happened. Its evidence was before her. He
had been silent. Now he was talking. He had been absent. Now she thought
she had never seen him more vividly concerned with the moment. Yet for
all his cool looks and diffuse talk around the box, she felt uneasily
that his concern was pointed at her, and that he would never let her go.
He only waited for the cover of the last act to come back to her
single-handed.
Public-domain text, read in full here on John Shaqi.
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