The Cobbler In The Devil's Kitchen: From "Mackinac And Lake Stories", 1899Catherwood, Mary Hartwell
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The Cobbler In The Devil's Kitchen: From "Mackinac And Lake Stories", 1899
Catherwood, Mary Hartwell
Mackinac Island (Mich. : Island) -- Fiction; Michigan -- Fiction; United States -- Social life and customs -- Fiction
Blackbird's eyes, without the snake-restlessness of her race, dwelt
unmoving upon him. Owen surmised she could not understand his or any
other kind of English, being accustomed to no tongue but her own, except
the French which the engagés talked in their winter camps. She stood
upright as a pine without answering.
It flashed through him that there might be trouble in the village; and
Blackbird, having regard for him, as we think it possible any human
being may have for us, was there to bid him escape. With coldness
around the roots of his hair, he remembered the massacre at Fort
Michilimackinac--a spot almost in sight across the strait, where south
shore approaches north shore at the mouth of Lake Michigan. He laid down
his boot. His lips dropped apart, and with a hush of the sound--if such
a sound can be hushed--he imitated the Indian war-whoop.
Blackbird did not smile at the uncanny screech, but she relaxed her face
in stoic amusement, relieving Owen's tense breathing. There was no
plot. The tribes merely intended to draw their money, get as drunk
as possible, and depart in peace at the end of the month with various
outfits to winter posts.
“Begorra, but that was a narrow escape!” sighed Owen, wiping his
forehead on his sleeve. He was able to detect the deference that
Blackbird paid him by this visit. He sat on his bench in the Kitchen,
a sunny idol in a shrine, indifferent to the effect his background gave
him.
His mouth puckered. He put up his leather stained hand coyly, and
motioned her unmoving figure back.
“Ah, go 'way! Wasn't it to escape you and the likes of you that I made
me retrate to the shore? Nayther white, full haythen, half, nor quarther
nade apply. To come makin' the big eyes at me, and the post swarmin' wid
thim that do be ready to marry on any woman at the droppin' of the hat!”
Mobile blue water with ripple and wash made a background for the Indian
girl's dense repose. She could by lifting her eyes see the pock-marked
front of Owen's Kitchen, and gnarled roots like exposed ribs in the
shaggy heights above. But she kept her eyes lowered; and Owen stuck his
feet under his bench, sensitive to defects in his foot-wear, which an
artist skilled in making and mending moccasins could detect.
Blackbird moved forward and laid a shining dot on the stone he used as
his table; then, without a word, she turned and disappeared the way she
came, over the moss of the spring rivulet.
Owen left his bench and craned after her. He did not hear a pebble roll
on the stony beach or a twig snap among foliage.
Public-domain text, read in full here on John Shaqi.
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