France -- History -- Louis XIV, 1643-1715 -- Fiction; Huguenots -- Persecutions -- France -- Fiction; Shoemakers -- Fiction
An hour later she was back at the market-place, grinning and selling
her fish. She was in time too, to hear the uproar when Adolphe, the
showman, found the false coin in his box. She pushed to the fore,
her red handkerchief conspicuous in the group, and her sharp eyes
recognized the country boy who had followed her in to see the damned
person. The showman was belching forth oaths and threats like the fiery
furnace that belched flames on Shadrach, Meshach, and Abed-nego. Mère
Tigrane’s eyes gleamed, and she pointed a long, bony finger at the poor
lad.
“He put it in, Adolphe,” she shrieked, with an oath. “I saw him, the
vagabond!”
Then she laughed and shook, clapping her hands to her sides. It was so
diverting--the uproar, and the protests of the peasant boy as he was
dragged off to jail with the rabble at his heels.
“_Dame!_” she said, “’twas worth a good half-crown.”
CHAPTER III
MADEMOISELLE’S SLIPPERS
The first day of the week Petit Bossu set his house in order. He swept
the floor of the shop and put a cold dinner on the kitchen table that
his guest might eat in his absence. Then he hung up his apron and
blouse and, putting on his worn brown coat, slipped the leather strap
of his wallet over his shoulder. Last he took a pair of slippers out of
a cupboard and examined them with loving care and honest pride in their
workmanship. They were small, high-heeled, blue slippers, daintily
lined with white silk, and with rosettes of blue ribbon on the square
toes. The little cobbler stroked them tenderly, fastened one bow more
securely, and putting them carefully in his green bag, set out on his
journey. It was early, and few people lounged in the streets, and le
Bossu passed unheeded through the Rue St. Antoine, and went out at
last at the Porte de France. His pace was always slow, and to-day he
limped a little, but he kept cheerfully on, turning his face toward St.
Césaire.
Public-domain text, read in full here on John Shaqi.
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