France -- History -- Louis XIV, 1643-1715 -- Fiction; Huguenots -- Persecutions -- France -- Fiction; Shoemakers -- Fiction
It was the month of June, 1703, and about noontide on the last day
of the week. The fair in the market-place at Nîmes was therefore
at its height. A juggler was swallowing a sword in the midst of an
admiring circle. Mademoiselle Héloïse, the _danseuse_, was walking the
tight-rope near at hand, and the pick-pockets were plying their trade
profitably on the outskirts of the throng. There was a dancing bear,
and beyond him--a rival attraction--a monkey in scarlet breeches,
with a blouse or camisole over them. The little creature’s antics
were hailed with shouts of derisive laughter and cries of “Camisard!”
“Barbet!” “Huguenot!” the monkey’s little blouse being an unmistakable
caricature of the dress of the Camisards. It therefore behooved the
wise to laugh, and they did, and that loudly,--though many a heart
was in secret sympathy with the Huguenot rebels of the Cévennes; but
were they not in Nîmes? And the Intendant Bâville was there, and
the dragoons of King Louis XIV.; so it was that the monkey gathered
many a half-crown, and sous and deniers in profusion, in his little
cap, and carried them--chattering--to the showman. It was a motley
throng: broad, red-faced market-women, old crones with bearded lip
and toothless gums, little gamins of the market with prematurely aged
faces, countrymen who glanced askance at the monkey while they laughed,
pretty peasant girls who had sold their eggs and their poultry, and
come to spend their newly acquired riches in ribbons and trinkets, and
to have their fortunes told by the old gypsy in the yellow pavilion.
Some strolling musicians were playing a popular air, two drunken men
were fighting, and a busy tradesman was selling his wares near the
entrance of a tent that was manifestly the centre of attraction. It was
of white canvas and decorated with numerous images of the devil,--a
black figure with horns, hoofs, and tail, engaged in casting another
person into the flames; the whole being more startling than artistic.
At the door of this tent was a man mounted on a barrel, and dressed
fantastically in black, with a repetition of the devils and flames,
in red and yellow, around the edge of his long gown, which flapped
about a pair of thin legs, set squarely in the centre of two long,
schooner-shaped feet. This person, whose face was gross and dull rather
than malicious, kept calling his invitation and bowing low as each new
visitor dropped a half-crown into the box fastened on the front of the
barrel beneath his feet.
“Messieurs et mesdames!” he cried, “only a half-crown to see the body
of a damned person!”
He raised his voice almost to a scream, to be heard in the babel of
tongues; he clapped his hands to attract notice; he swayed to and fro
on his barrel.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account