France -- History -- Louis XIV, 1643-1715 -- Fiction; Huguenots -- Persecutions -- France -- Fiction; Shoemakers -- Fiction
That meagre story of pain and sorrow was Charlot’s history, and now
he stitched away patiently on his shoes and made no complaint. No one
thought of him as a man endowed with all a man’s feelings and passions.
The little hunchbacked shoemaker of St. Antoine was not disliked by
his neighbors; he was welcome to gather up the crumbs of joy that fell
from the happier man’s table, to look on at feasts and weddings; he was
even wanted at funerals--for he had a strangely touching way of showing
his sympathy; but _Dieu!_ he was a thing apart, _le bossu_, a little
deformity. No one thought of the soul caged within that wretched shape,
and looking out on all it desired of the fulness of life, hungering for
a crumb of joy, and debarred forever and ever.
“Ah, _mon Dieu!_” Charlot said sometimes, “why didst thou give me the
soul of a man, and a body that is only a mark for pity or scorn?”
A question that could be answered only when the long and painful
journey should be over and the poor, misshapen body laid to rest. Who
can say in what beautiful form such a spirit may be clad when the River
of Death is crossed?
All these thoughts were in the shoemaker’s mind as he turned a little
shoe in his hand. It was of white satin and he was making a rosette of
pink ribbon, shaping it like a rose and fastening it on the toe. He
fondled his work and held it off at arm’s length, admiring it. Another
pair of shoes for Mademoiselle de St. Cyr, but this time they would
come as a surprise. Next Thursday was Rosaline’s birthday, and the
cobbler had been long fashioning these shoes as a present. He had never
dared offer her a gift before, but now he owed them so many kindnesses,
they had done so much to help him, that he felt he might offer this
humble return on mademoiselle’s birthday. That pair of little white
satin shoes stood for much joy in le Bossu’s dreary life; to plan them,
to make them, to buy the ribbon for the rosettes, had furnished him
with so many separate diversions. In the blankness of his existence
there was one sacred spot, the château of St. Cyr; in his sad days, the
figure of Rosaline stood before him like an angel. There was a great
gulf between these two, the beautiful girl and the humble cobbler, and
he knelt down on the farther side and worshipped her, as he would
worship a saint in heaven. And she knew it not. To her, he was little
Charlot, poor Charlot, and her voice softened when she spoke to him;
her manner was more kind too than to others; she could afford to be
goodness itself to the hunchbacked cobbler, and she never dreamed that
she held his life in the hollow of her hand. Great was the gulf indeed,
and she stood a long way off with the merciful sympathy of the angel
that she seemed to him to be. He understood it all well enough and
looked up to worship, happy to fashion a shoe that pleased her and to
see the light in her blue eyes when she thanked him.
Public-domain text, read in full here on John Shaqi.
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