France -- History -- Louis XIV, 1643-1715 -- Fiction; Huguenots -- Persecutions -- France -- Fiction; Shoemakers -- Fiction
Within, the tent was lighted solely by a small aperture at the top, and
the effect was rather of a murky twilight than of broad noonday. It
was draped with cheap red cloth, and in the centre--directly under the
opening in the top--was a rough bier constructed of bare boards, and on
this lay a body only partially covered with a piece of coarse serge;
images of the devil--cut out of black stuff--were sewed on the corners
of this wretched pall. The visitors, the sight-seers, who had paid
their half-crowns to enjoy this gruesome spectacle, moved slowly past
it, making the circuit of the tent and finally passing out at the door
by which they had entered. When the hunchback came in, he paused long
enough to become accustomed to the swift transition from sunlight to
shadow, and then he too proceeded to join the circle around the corpse.
There were many comments made, the sight affected the spectators
differently. The two servant-girls clung together, whispering
hysterical confidences; the peasant youth stared open-mouthed, fright
showing plainly in his eyes; the soldier looked down with brutal
indifference; the old fishwife showed satisfaction, her wolf mouth was
slightly opened by a grin that displayed three long yellow teeth--all
she possessed; a red handkerchief was tied around her head and from
below it hung her long gray locks. Her short petticoat and bodice
revealed a withered, lean form, and her fingers were like talons. She
feasted her eyes on the dead face, and then she squinted across the
body at the man who stood like a statue opposite. He was young, with a
sad, dark countenance and was poorly, even shabbily dressed. But it was
none of these things that the old crone noted, it was the expression
of grief and horror that seemed frozen on his features. He did not
see her, he did not see the others passing by him--with more than one
curious glance; he seemed like a man in a trance, deaf, blind, dumb,
but yet gazing fixedly at the inanimate figure on the bier. It was the
corpse of a young woman, who had been handsome; the features were still
so, and her long black hair fell about her shoulders like a mourning
pall.
“_Dieu!_” said the fishwife, licking her lips, “what a white throat she
had; ’twould have been a pity to hang her. See, there is a mark there
on her arm where ’twas bound! Is she not pretty, Bossu?”
The hunchback had approached the corpse, and at this appeal he nodded
his head.
“_Diable!_” ejaculated the soldier turning on the old crone, “’tis
heresy to call a damned person pretty, Mère Tigrane.”
Mère Tigrane leered at him with horrible intelligence.
“No one is to think a heretic pretty but the dragoons, eh?” she said
grinning. “_Dame!_ we know what you think, monsieur.”
The man laughed brutally, and she edged up to him, whispering in his
ear, her narrow eyes on the silent visitor opposite. The dragoon looked
over too at her words, and broke out with an oath.
“You are a witch, Mère Tigrane,” he said uneasily; “let me alone!”
Public-domain text, read in full here on John Shaqi.
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