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THE CODE OF THE MOUNTAINS
BY CHARLES NEVILLE BUCK
AUTHOR OF THE CALL OF THE CUMBERLANDS, THE BATTLE CRY, ETC.
ILLUSTRATIONS BY
G. W. GAGE
NEW YORK
GROSSET & DUNLAP
PUBLISHERS
COPYRIGHT, 1915, BY
W. J. WATT & COMPANY
_Published May_
* * * * *
_OTHER BOOKS BY_
CHARLES NEVILLE BUCK
THE KEY TO YESTERDAY
THE LIGHTED MATCH
THE PORTAL OF DREAMS
THE CALL OF THE CUMBERLANDS
THE BATTLE CRY
[Illustration: "Newty," she said softly, "why don't you shake the dirt
of this place offen your feet?"]
THE CODE OF THE MOUNTAINS
CHAPTER I
This morning the boy from the forks of Troublesome Creek had back his
name once more. It was not a distinguished name, nor one to be flaunted
in pride of race or achievement. On the contrary, it was a synonym for
violent law-breaking and in the homely parlance of the Cumberland
ridges, where certain infractions are condoned, it stood for "pizen
meanness." Generations of Spooners before him had taken up the surname
and carried it like runners in a relay race--often into evil ways. Many
had laid down their lives and name with abruptness and violence.
When the pioneers first set their feet into the Wilderness trail out of
Virginia, some left because the vague hinterland west of the ridges
placed them "beyond the law's pursuing."
Tradition said that of the latter class were the Spooners, but Newt
Spooner had no occasion to probe the remote past for a record of
turpitude. It lay before him inscribed in a round clerical hand on the
ledger which the warden of the Frankfort Penitentiary was just closing.
Though the Governor's clemency had expunged the red charge of murder
set against his name at the tender age of eighteen, there was another
record which the Governor could not erase. A sunken grave bore testimony
in a steep mountainside burial-ground back in "Bloody Breathitt," where
dead weed stalks rattled and tangled ropes of fox-grapes bore their
fruit in due season.
However, even the name of Newt Spooner is a better thing than the Number
813, which for two years had been his designation within those gray and
fortressed walls along whose tops sentry-boxes punctuated the angles.
Public-domain text, read in full here on John Shaqi.
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