Then for a while he lost them, and so, losing and regaining his view, he
followed them up and down hill till the town dwindled into outskirts and
the street became a smooth turnpike between farms and woodlands. But, at
last, the difference in speed told, and the boy reluctantly abandoned
the chase. Not, however, until he had glimpsed through stretches of
velvet woodland a thing which he did not understand, and which he paused
in perplexity to study. Back in the patriarchal grove of oaks and
walnuts and hickories was a frame platform, and men were working on
their hands and knees, polishing its floors. About it were strung long
lines of paper lanterns of bright and varied colors and fantastic
shapes. Still farther back, but close of access to the platform, rose
the front of an ancient and vine-covered mansion with its little village
of barns and servants' quarters, peeping out between lilac bushes and
cedars. But it was the platform that puzzled the mountain traveler, and
he perched himself on the fence to "study" about it.
A negro boy, riding a colt and carrying an empty basket, came jogging
down the avenue and into the pike, where he drew rein in response to
Newt Spooner's signal.
"What mout thet contraption be over yon?" demanded the mountaineer in a
surly voice, as he indicated with a jerk of his head the object of his
curiosity.
The servant laughed long and loud. He was a young negro and mounted. By
putting spurs to his steed he could escape any penalty of insolence, and
if the mountaineer dislikes the negro it is with no greater scorn than
that which the negro feels for the poor white. When he had finished
laughing his white teeth continued to gleam in a wide grin.
"Thet-thar contraption," he mimicked with an excellent impersonation of
the nasal drawl in which he had been questioned, "is a platfawm. It's
shorely an' p'intedly a platfawm. Our folks is gwine ter have a platfawm
dance ternight. Saxton's band's coming frum Lexin'ton ter play de music,
and all de quality folks'll be hyar."
At the sneer of the servant's manner, Newt Spooner had slipped down from
the place he had assumed on the fence, and stalked menacingly out into
the road. The negro had moved his horse a little to the side and waited.
But, at the information received, Newt forgot his wrath in the
engrossment of a sudden idea. A dance! The young people would be there
in force. Perhaps among them would be the one he sought. In his country
where round dances are unknown, special invitations are not required.
Word goes out that so-and-so is giving a dance at such-and-such a point,
and the countryside troops thither for shuffle and jig and wassail.
"I reckon," said Newt slowly, "I reckon I'll be thar."
The black boy let out a loud guffaw. He leaned back with one hand
supporting his weight on the haunches of his mount, and whooped his
mirthful derision to the open heavens. Newt gazed at him, first in
astonishment; then in passion.
Public-domain text, read in full here on John Shaqi.
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