"Back there in the hills," he said, "there is a place high up the
mountainside that looks down on such a night as this over an ocean of
silver mists in the valley. I have often gone there alone and listened
to the nightingale talking about you. After this," he added joyously,
"all nights will be moonlight and starlight for me, dear, if--" But
there he broke off and became silent.
Newt Spooner advanced one knee a few inches, and steadied his position.
He drew the vine back a little further with his left hand, and slowly
thrust his right into his coat pocket. When it came back, it held the
pistol, and this Newt placed at his back, that the soft click of its
cocking might be muffled by his intervening body.
* * * * *
The stars were as bright and the moon as serene that night back in the
broken ramparts of the mountains as here in the lowlands. No hint of
brewing tragedy disturbed the majesty of the summits that raised their
crests into the cobalt, or marred the silvery flood that bathed the
valleys.
Where the college buildings nestled in a tidy village near the waters of
Fist-fight Creek, the picture was a nocturne that must have brought joy
to the heart of a painter whose soul responds to the beautiful.
Already, in the dormitories, most of the children were asleep, but one
girl, who was half child and half woman, crept noiselessly down the
stairs of the building where she had her room, and made her way to the
creek-bank.
She had spent a longer time over her studies than had her fellow pupils,
because in her serious little breast burned a hunger for that education
which might open new ways and make for her a life beyond the
imprisonment of her environment.
In years, Minerva Rawlins was a child, but the life of her people brings
early maturity and into her little brain had recently been creeping the
restlessness of new things--and of womanhood. To-night, the plaintive
call of the whippoorwills from the deep shadows of the timber was a call
to be under open skies, where the thoughts that assailed her might not
feel cramped within walls. There were many things of which she must
think--and it happened that the subject uppermost in her mind was Henry
Falkins.
She went with lithe tread and pliant carriage down beyond the saw-mill
to a spot where the sycamores hung low by the waters that swirled in a
cascade over a litter of huge rocks. On the steep mountainside beyond,
the flowering laurel and rhododendron were thick, and the forests hardly
showed a scar from the axes that had claimed the timber for the
buildings. She had discovered that here through a gap between two
summits she could see the same pale star to which the single pine had
pointed back there from the front door of the cabin, which, wretched as
it was, had been her only idea of home. In the silvers and grays and
cobalts of the picture, and in the night song of the whippoorwills and
booming frogs, there was solace, and to-night she wanted solace.
Public-domain text, read in full here on John Shaqi.
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