The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic MovementYeats, W. B. (William Butler)
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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic Movement
Yeats, W. B. (William Butler)
English literature -- Irish authors
saying ‘one cannot frequent her.’ He could create her soul, as it were,
but he could not tell with certainty how it would express itself before
Carthage fell to ruins. In the small nations which have to struggle
for their National life, one finds that almost every creator, whether
poet or novelist, sets all his stories in his own country. I do not
recollect that Björnson ever wrote of any land but Norway, and Ibsen,
though he lived in exile for many years, driven out by his countrymen,
as he believed, carried the little seaboard towns of Norway everywhere
in his imagination. So far as one can be certain of anything, one
may be certain that Ireland with her long National struggle, her old
literature, her unbounded folk-imagination, will, in so far as her
literature is National at all, be more like Norway than England or
France.
If Literature is but praise of life, if our writers are not to plead
the National Cause, nor insist upon the Ten Commandments, nor upon the
glory of their country, what part remains for it, in the common life
of the country? It will influence the life of the country immeasurably
more, though seemingly less, than have our propagandist poems and
stories. It will leave to others the defence of all that can be
codified for ready understanding, of whatever is the especial business
of sermons, and of leading articles; but it will bring all the ways of
men before that ancient tribunal of our sympathies. It will measure all
things by the measure not of things visible but of things invisible.
In a country like Ireland, where personifications have taken the place
of life, men have more hate than love, for the unhuman is nearly the
same as the inhuman, but literature, which is a part of that charity
that is the forgiveness of sins, will make us understand men no matter
how little they conform to our expectations. We will be more interested
in heroic men than in heroic actions, and will have a little distrust
for everything that can be called good or bad in itself with a very
confident heart. Could we understand it so well, we will say, if it
were not something other than human life? We will have a scale of
virtues, and value most highly those that approach the indefinable.
Men will be born among us of whom it is possible to say, not ‘What a
philanthropist,’ ‘What a patriot,’ ‘How practical a man,’ but, as we
say of the men of the Renaissance, ‘What a nature,’ ‘How much abundant
life.’ Even at the beginning we will value qualities more than actions,
for these may be habit or accident; and should we say to a friend,
‘You have advertised for an English cook,’ or ‘I hear that you have no
clerks who are not of your own faith,’ or ‘You have voted an address to
the king,’ we will add to our complaint, ‘You have been unpatriotic and
I am ashamed of you, but if you cease from doing any of these things
because you have been terrorized out of them, you will cease to be
my friend.’ We will not forget how to be stern, but we will remember
Public-domain text, read in full here on John Shaqi.
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