The Collected Works in Verse and Prose of William Butler Yeats, Vol. 5 (of 8): The Celtic Twilight and Stories of Red HanrahanYeats, W. B. (William Butler)
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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 5 (of 8): The Celtic Twilight and Stories of Red Hanrahan
Yeats, W. B. (William Butler)
English literature -- Irish authors
The dancing went on, and when that dance was over another was called
for, and no one took much notice of Oona and Red Hanrahan for a while,
in the corner where they were. But the mother grew to be uneasy, and
she called to Oona to come and help her to set the table in the inner
room. But Oona that had never refused her before, said she would come
soon, but not yet, for she was listening to whatever he was saying
in her ear. The mother grew yet more uneasy then, and she would come
nearer them, and let on to be stirring the fire or sweeping the hearth,
and she would listen for a minute to hear what the poet was saying
to her child. And one time she heard him telling about white-handed
Deirdre, and how she brought the sons of Usnach to their death; and
how the blush in her cheeks was not so red as the blood of kings’ sons
that was shed for her, and her sorrows had never gone out of mind;
and he said it was maybe the memory of her that made the cry of the
plover on the bog as sorrowful in the ear of the poets as the keening
of young men for a comrade. And there would never have been that memory
of her, he said, if it was not for the poets that had put her beauty
in their songs. And the next time she did not well understand what he
was saying, but as far as she could hear, it had the sound of poetry
though it was not rhymed, and this is what she heard him say: ‘The sun
and the moon are the man and the girl, they are my life and your life,
they are travelling and ever travelling through the skies as if under
the one hood. It was God made them for one another. He made your life
and my life before the beginning of the world, he made them that they
might go through the world, up and down, like the two best dancers that
go on with the dance up and down the long floor of the barn, fresh and
laughing, when all the rest are tired out and leaning against the wall.’
The old woman went then to where her husband was playing cards, but
he would take no notice of her, and then she went to a woman of
the neighbours and said: ‘Is there no way we can get them from one
another?’ and without waiting for an answer she said to some young men
that were talking together: ‘What good are you when you cannot make
the best girl in the house come out and dance with you? And go now
the whole of you,’ she said, ‘and see can you bring her away from the
poet’s talk.’ But Oona would not listen to any of them, but only moved
her hand as if to send them away. Then they called to Hanrahan and said
he had best dance with the girl himself, or let her dance with one of
them. When Hanrahan heard what they were saying he said: ‘That is so, I
will dance with her; there is no man in the house must dance with her
but myself.’
Public-domain text, read in full here on John Shaqi.
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