The Collected Works in Verse and Prose of William Butler Yeats, Vol. 5 (of 8): The Celtic Twilight and Stories of Red HanrahanYeats, W. B. (William Butler)
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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 5 (of 8): The Celtic Twilight and Stories of Red Hanrahan
Yeats, W. B. (William Butler)
English literature -- Irish authors
He stood up with her then, and led her out by the hand, and some of the
young men were vexed, and some began mocking at his ragged coat and his
broken boots. But he took no notice, and Oona took no notice, but they
looked at one another as if all the world belonged to themselves alone.
But another couple that had been sitting together like lovers stood out
on the floor at the same time, holding one another’s hands and moving
their feet to keep time with the music. But Hanrahan turned his back on
them as if angry, and in place of dancing he began to sing, and as he
sang he held her hand, and his voice grew louder, and the mocking of
the young men stopped, and the fiddle stopped, and there was nothing
heard but his voice that had in it the sound of the wind. And what he
sang was a song he had heard or had made one time in his wanderings on
Slieve Echtge, and the words of it as they can be put into English were
like this:
O Death’s old bony finger
Will never find us there
In the high hollow townland
Where love’s to give and to spare;
Where boughs have fruit and blossom
At all times of the year;
Where rivers are running over
With red beer and brown beer.
An old man plays the bagpipes
In a gold and silver wood;
Queens, their eyes blue like the ice,
Are dancing in a crowd.
And while he was singing it Oona moved nearer to him, and the colour
had gone from her cheek, and her eyes were not blue now, but grey with
the tears that were in them, and anyone that saw her would have thought
she was ready to follow him there and then from the west to the east of
the world.
But one of the young men called out: ‘Where is that country he is
singing about? Mind yourself, Oona, it is a long way off, you might
be a long time on the road before you would reach to it.’ And another
said: ‘It is not to the Country of the Young you will be going if you
go with him, but to Mayo of the bogs.’ Oona looked at him then as if
she would question him, but he raised her hand in his hand, and called
out between singing and shouting: ‘It is very near us that country is,
it is on every side; it may be on the bare hill behind it is, or it may
be in the heart of the wood.’ And he said out very loud and clear: ‘In
the heart of the wood; oh, death will never find us in the heart of
the wood. And will you come with me there, Oona?’ he said.
But while he was saying this the two old women had gone outside the
door, and Oona’s mother was crying, and she said: ‘He has put an
enchantment on Oona. Can we not get the men to put him out of the
house?’
‘That is a thing you cannot do,’ said the other woman, ‘for he is a
poet of the Gael, and you know well if you would put a poet of the Gael
out of the house, he would put a curse on you that would wither the
corn in the fields and dry up the milk of the cows, if it had to hang
in the air seven years.’
Public-domain text, read in full here on John Shaqi.
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