these philosophical views of mind and nature to be instinct with the intensest spirit of poetry.’ From these scattered fragments and observations, and from many passages read in their light, one soon comes to understand that his liberty was so much more than the liberty of _Political Justice_ that it was one with Intellectual Beauty, and that the regeneration he foresaw was so much more than the regeneration many political dreamers have foreseen, that it could not come in its perfection till the hours bore ‘Time to his grave in eternity.’ In _A Defence of Poetry_, the profoundest essay on the foundation of poetry in English, he shows that the poet and the lawgiver hold their station by the right of the same faculty, the one uttering in words and the other in the forms of society, his vision of the divine order, the Intellectual Beauty. ‘Poets, according to the circumstances of the age and nation in which they appeared, were called in the earliest epoch of the world legislators or prophets, and a poet essentially comprises and unites both these characters. For he not only beholds intensely the present as it is, and discovers those laws according to which present things are to be ordained, but he beholds the future in the present, and his thoughts are the germs of the flowers and the fruit of latest time.’ ‘Language, colour, form, and religious and civil habits of action are all the instruments and materials of poetry.’ Poetry is ‘the creation of actions according to the unchangeable process of human nature as existing in the mind of the creator, which is itself the image of all other minds.’ ‘Poets have been challenged to resign the civic crown to reasoners and merchants.... It is admitted that the exercise of the imagination is the most delightful, but it is alleged that that of reason is the more useful.... Whilst the mechanist abridges and the political economist combines labour, let them be sure that their speculations, for want of correspondence with those first principles which belong to the imagination, do not tend, as they have in modern England, to exasperate at once the extremes of luxury and want.... The rich have become richer, the poor have become poorer, ... such are the effects which must ever flow from an unmitigated exercise of the calculating faculty.’ The speaker of these things might almost be Blake, who held that the Reason not only created Ugliness, but all other evils. The books of all wisdom are hidden in the cave of the Witch of Atlas, who is one of his personifications of beauty, and when she moves over the enchanted river that is an image of all life, the priests cast aside their deceits, and the king crowns an ape to mock his own sovereignty, and the soldiers gather about the anvils to beat their swords to ploughshares, and lovers cast away their timidity, and friends are united; while the power which in _Laon and Cythna_ awakens the mind of the reformer to contend, and itself contends, against the