The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and Dhoya — John Shaqi
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and DhoyaYeats, W. B. (William Butler)
General
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and Dhoya
Yeats, W. B. (William Butler)
English literature -- Irish authors
‘It were better for him,’ said the lad, ‘to have told his beads and
said his prayers like another, and not to have spent his days in
seeking amongst the Immortal Powers what he could have found in his own
deeds and days had he willed. Ah, yes, it were better to have said his
prayers and kissed his beads!’ He looked at the threadbare blue velvet,
and he saw it was covered with the pollen of the flowers, and while he
was looking at it a thrush, who had alighted among the boughs that were
piled against the window, began to sing.
THE CURSE OF THE FIRES AND OF THE SHADOWS
ONE summer night, when there was peace, a score of Puritan troopers
under the pious Sir Frederick Hamilton, broke through the door of the
Abbey of the White Friars which stood over the Gara Lough at Sligo. As
the door fell with a crash they saw a little knot of friars gathered
about the altar, their white habits glimmering in the steady light of
the holy candles. All the monks were kneeling except the abbot, who
stood upon the altar steps with a great brazen crucifix in his hand.
‘Shoot them!’ cried Sir Frederick Hamilton, but none stirred, for
all were new converts, and feared the crucifix and the holy candles.
The white lights from the altar threw the shadows of the troopers up
on to roof and wall. As the troopers moved about, the shadows began
a fantastic dance among the corbels and the memorial tablets. For a
little while all was silent, and then five troopers who were the
body-guard of Sir Frederick Hamilton lifted their muskets, and shot
down five of the friars. The noise and the smoke drove away the mystery
of the pale altar lights, and the other troopers took courage and
began to strike. In a moment the friars lay about the altar steps,
their white habits stained with blood. ‘Set fire to the house!’ cried
Sir Frederick Hamilton, and at his word one went out, and came in
again carrying a heap of dry straw, and piled it against the western
wall, and, having done this, fell back, for the fear of the crucifix
and of the holy candles was still in his heart. Seeing this, the five
troopers who were Sir Frederick Hamilton’s body-guard darted forward,
and taking each a holy candle set the straw in a blaze. The red tongues
of fire rushed up and flickered from corbel to corbel and from tablet
to tablet, and crept along the floor, setting in a blaze the seats and
benches. The dance of the shadows passed away, and the dance of the
fires began. The troopers fell back towards the door in the southern
wall, and watched those yellow dancers springing hither and thither.
Public-domain text, read in full here on John Shaqi.
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