The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and DhoyaYeats, W. B. (William Butler)
General
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and Dhoya
Yeats, W. B. (William Butler)
English literature -- Irish authors
COSTELLO had come up from the fields and lay upon the ground before
the door of his square tower, resting his head upon his hands and
looking at the sunset, and considering the chances of the weather.
Though the customs of Elizabeth and James, now going out of fashion
in England, had begun to prevail among the gentry, he still wore the
great cloak of the native Irish; and the sensitive outlines of his face
and the greatness of his indolent body had a commingling of pride and
strength which belonged to a simpler age. His eyes wandered from the
sunset to where the long white road lost itself over the south-western
horizon and to a horseman who toiled slowly up the hill. A few more
minutes and the horseman was near enough for his little and shapeless
body, his long Irish cloak, and the dilapidated bagpipes hanging from
his shoulders, and the rough-haired garron under him, to be seen
distinctly in the grey dusk. So soon as he had come within earshot, he
began crying: ‘Is it sleeping you are, Tumaus Costello, when better men
break their hearts on the great white roads? Get up out of that, proud
Tumaus, for I have news! Get up out of that, you great omadhaun! Shake
yourself out of the earth, you great weed of a man!’
Costello had risen to his feet, and as the piper came up to him seized
him by the neck of his jacket, and lifting him out of his saddle threw
him on to the ground.
‘Let me alone, let me alone,’ said the other, but Costello still shook
him.
‘I have news from Dermott’s daughter, Winny.’ The great fingers were
loosened, and the piper rose gasping.
‘Why did you not tell me,’ said Costello, ‘that you came from her? You
might have railed your fill.’
‘I have come from her, but I will not speak unless I am paid for my
shaking.’
Costello fumbled at the bag in which he carried his money, and it was
some time before it would open, for the hand that had overcome many men
shook with fear and hope. ‘Here is all the money in my bag,’ he said,
dropping a stream of French and Spanish money into the hand of the
piper, who bit the coins before he would answer.
‘That is right, that is a fair price, but I will not speak till I have
good protection, for if the Dermotts lay their hands upon me in any
boreen after sundown, or in Cool-a-vin by day, I will be left to rot
among the nettles of a ditch, or hung on the great sycamore, where they
hung the horse-thieves last Beltaine four years.’ And while he spoke he
tied the reins of his garron to a bar of rusty iron that was mortared
into the wall.
‘I will make you my piper and my body-servant,’ said Costello, ‘and no
man dare lay hands upon the man, or the goat, or the horse, or the dog
that is Tumaus Costello’s.’
Public-domain text, read in full here on John Shaqi.
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