For the next few days Duallach went hither and thither trying to raise a bodyguard, and every man he met had some story of Costello, how he killed the wrestler when but a boy by so straining at the belt that went about them both that he broke the big wrestler’s back; how when somewhat older he dragged fierce horses through a ford in the Unchion for a wager; how when he came to manhood he broke the steel horseshoe in Mayo; how he drove many men before him through Rushy Meadow at Drum-an-air because of a malevolent song they had about his poverty; and of many another deed of his strength and pride; but he could find none who would trust themselves with any so passionate and poor in a quarrel with careful and wealthy persons like Dermott of the Sheep and Namara of the Lake. Then Costello went out himself, and after listening to many excuses and in many places, brought in a big half-witted fellow, who followed him like a dog, a farm-labourer who worshipped him for his strength, a fat farmer whose forefathers had served his family, and a couple of lads who looked after his goats and cows; and marshalled them before the fire in the empty hall. They had brought with them their stout cudgels, and Costello gave them an old pistol apiece, and kept them all night drinking Spanish ale and shooting at a white turnip which he pinned against the wall with a skewer. Duallach of the Pipes sat on the bench in the chimney playing ‘The Green Bunch of Rushes,’ ‘The Unchion Stream,’ and ‘The Princes of Breffeny’ on his old pipes, and railing now at the appearance of the shooters, now at their clumsy shooting, and now at Costello because he had no better servants. The labourer, the half-witted fellow, the farmer and the lads were all well accustomed to Duallach’s railing, for it was as inseparable from wake or wedding as the squealing of his pipes, but they wondered at the forbearance of Costello, who seldom came either to wake or wedding, and if he had would scarce have been patient with a scolding piper. On the next evening they set out for Cool-a-vin, Costello riding a tolerable horse and carrying a sword, the others upon rough-haired garrons, and with their stout cudgels under their arms. As they rode over the bogs and in the boreens among the hills they could see fire answering fire from hill to hill, from horizon to horizon, and everywhere groups who danced in the red light on the turf, celebrating the bridal of life and fire. When they came to Dermott’s house they saw before the door an unusually large group of the very poor, dancing about a fire, in the midst of which was a blazing cartwheel, that circular dance which is so ancient that the gods, long dwindled to be but fairies, dance no other in their secret places. From the door and through the long loop-holes on either side came the pale light of candles and the sound of many feet dancing a dance of Elizabeth and James.