The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and DhoyaYeats, W. B. (William Butler)
General
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and Dhoya
Yeats, W. B. (William Butler)
English literature -- Irish authors
Still he did not give way to
his anger, for he had not drunken these many hours; having a hope of
heath beer or wine at his day’s end, he had left the brooks untasted,
to make his supper the more delightful. Now he put the jug to his lips,
but he flung it from him straightway, for the water was bitter and
ill-smelling. Then he gave the jug a kick, so that it broke against
the opposite wall, and he took down the blanket to wrap it about him
for the night. But no sooner did he touch it than it was alive with
skipping fleas. At this, beside himself with anger, he rushed to the
door of the guest-house, but the lay brother, being well accustomed to
such outcries, had locked it on the outside; so he emptied the tub and
began to beat the door with it, till the lay brother came to the door
and asked what ailed him, and why he woke him out of sleep. ‘What ails
me!’ shouted Cumhal, ‘are not the sods as wet as the sands of the Three
Rosses? and are not the fleas in the blanket as many as the waves of
the sea and as lively? and is not the bread as hard as the heart of a
lay brother who has forgotten God? and is not the water in the jug as
bitter and as ill-smelling as his soul? and is not the foot-water the
colour that shall be upon him when he has been charred in the Undying
Fires?’ The lay brother saw that the lock was fast, and went back to
his niche, for he was too sleepy to talk with comfort. And Cumhal went
on beating at the door, and presently he heard the lay brother’s foot
once more, and cried out at him, ‘O cowardly and tyrannous race of
friars, persecutors of the bard and the gleeman, haters of life and
joy! O race that does not draw the sword and tell the truth! O race
that melts the bones of the people with cowardice and with deceit!’
‘Gleeman,’ said the lay brother, ‘I also make rhymes; I make many
while I sit in my niche by the door, and I sorrow to hear the bards
railing upon the friars. Brother, I would sleep, and therefore I make
known to you that it is the head of the monastery, our gracious abbot,
who orders all things concerning the lodging of travellers.’
‘You may sleep,’ said Cumhal, ‘I will sing a bard’s curse on the
abbot.’ And he set the tub upside down under the window, and stood
upon it, and began to sing in a very loud voice. The singing awoke the
abbot, so that he sat up in bed and blew a silver whistle until the lay
brother came to him. ‘I cannot get a wink of sleep with that noise,’
said the abbot. ‘What is happening?’
‘It is a gleeman,’ said the lay brother, ‘who complains of the sods,
of the bread, of the water in the jug, of the foot-water, and of the
blanket. And now he is singing a bard’s curse upon you, O brother
abbot, and upon your father and your mother, and your grandfather and
your grandmother, and upon all your relations.’
‘Is he cursing in rhyme?’
‘He is cursing in rhyme, and with two assonances in every line of his
curse.’
Public-domain text, read in full here on John Shaqi.
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