The Collected Works in Verse and Prose of William Butler Yeats, Vol. 8 (of 8): Discoveries. Edmund Spenser. Poetry and Tradition; and Other Essays. BibliographyYeats, W. B. (William Butler)
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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 8 (of 8): Discoveries. Edmund Spenser. Poetry and Tradition; and Other Essays. Bibliography
Yeats, W. B. (William Butler)
English literature -- Irish authors
Nor did he ever understand the people he lived among or the historical
events that were changing all things about him. Lord Grey de Wilton
had been recalled almost immediately, but it was his policy, brought
over ready-made in his ship, that Spenser advocated throughout all his
life, equally in his long prose book _The State of Ireland_ as in the
_Faerie Queene_, where Lord Grey was Artigall and the Iron man the
soldiers and executioners by whose hands he worked. Like an hysterical
patient he drew a complicated web of inhuman logic out of the bowels
of an insufficient premise—there was no right, no law, but that of
Elizabeth, and all that opposed her opposed themselves to God, to
civilisation, and to all inherited wisdom and courtesy, and should be
put to death. He made two visits to England, celebrating one of them
in _Colin Clouts come Home againe_, to publish the first three books
and the second three books of the _Faerie Queene_ respectively, and to
try for some English office or pension. By the help of Raleigh, now
his neighbour at Kilcolman, he had been promised a pension, but was
kept out of it by Lord Burleigh, who said, ‘All that for a song!’ From
that day Lord Burleigh became that ‘rugged forehead’ of the poems,
whose censure of this or that is complained of. During the last three
or four years of his life in Ireland he married a fair woman of his
neighbourhood, and about her wrote many intolerable artificial sonnets
and that most beautiful passage in the sixth book of the _Faerie
Queene_, which tells of Colin Clout piping to the Graces and to her;
and he celebrated his marriage in the most beautiful of all his poems,
the _Epithalamium_. His genius was pictorial, and these pictures of
happiness were more natural to it than any personal pride, or joy, or
sorrow. His new happiness was very brief, and just as he was rising to
something of Milton’s grandeur in the fragment that has been called
_Mutabilitie_, ‘the wandering companies that keep the woods,’ as he
called the Irish armies, drove him to his death. Ireland, where he
saw nothing but work for the Iron man, was in the midst of the last
struggle of the old Celtic order with England, itself about to turn
bottom upward, of the passion of the Middle Ages with the craft of the
Renaissance. Seven years after Spenser’s arrival in Ireland a large
merchant ship had carried off from Loch Swilly, by a very crafty device
common in those days, certain persons of importance. Red Hugh, a boy
of fifteen, and the coming head of Tirconnell, and various heads of
clans had been enticed on board the merchant ship to drink of a fine
vintage, and there made prisoners. All but Red Hugh were released, on
finding substitutes among the boys of their kindred, and the captives
were hurried to Dublin and imprisoned in the Burningham Tower. After
four years of captivity and one attempt that failed, Red Hugh and his
companions escaped into the Dublin mountains, one dying there of cold
Public-domain text, read in full here on John Shaqi.
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