The Collected Works of Ambrose Bierce, Volume 02: In the Midst of Life: Tales of Soldiers and Civilians — John Shaqi
The Collected Works of Ambrose Bierce, Volume 02: In the Midst of Life: Tales of Soldiers and CiviliansBierce, Ambrose
History
The Collected Works of Ambrose Bierce, Volume 02: In the Midst of Life: Tales of Soldiers and Civilians
Bierce, Ambrose
Horror tales, American; Paranormal fiction; United States -- History -- Civil War, 1861-1865 -- Fiction; War stories, American
His first feeling was a keen artistic delight. On a colossal pedestal,
the cliff,--motionless at the extreme edge of the capping rock and
sharply outlined against the sky,--was an equestrian statue of
impressive dignity. The figure of the man sat the figure of the horse,
straight and soldierly, but with the repose of a Grecian god carved in
the marble which limits the suggestion of activity. The gray costume
harmonized with its aërial background; the metal of accoutrement and
caparison was softened and subdued by the shadow; the animal's skin had
no points of high light. A carbine strikingly foreshortened lay across
the pommel of the saddle, kept in place by the right hand grasping it at
the "grip"; the left hand, holding the bridle rein, was invisible. In
silhouette against the sky the profile of the horse was cut with the
sharpness of a cameo; it looked across the heights of air to the
confronting cliffs beyond. The face of the rider, turned slightly away,
showed only an outline of temple and beard; he was looking downward to
the bottom of the valley. Magnified by its lift against the sky and by
the soldier's testifying sense of the formidableness of a near enemy the
group appeared of heroic, almost colossal, size.
For an instant Druse had a strange, half-defined feeling that he had
slept to the end of the war and was looking upon a noble work of art
reared upon that eminence to commemorate the deeds of an heroic past of
which he had been an inglorious part. The feeling was dispelled by a
slight movement of the group: the horse, without moving its feet, had
drawn its body slightly backward from the verge; the man remained
immobile as before. Broad awake and keenly alive to the significance of
the situation, Druse now brought the butt of his rifle against his cheek
by cautiously pushing the barrel forward through the bushes, cocked the
piece, and glancing through the sights covered a vital spot of the
horseman's breast. A touch upon the trigger and all would have been well
with Carter Druse. At that instant the horseman turned his head and
looked in the direction of his concealed foeman--seemed to look into his
very face, into his eyes, into his brave, compassionate heart.
Is it then so terrible to kill an enemy in war--an enemy who has
surprised a secret vital to the safety of one's self and comrades--an
enemy more formidable for his knowledge than all his army for its
numbers? Carter Druse grew pale; he shook in every limb, turned faint,
and saw the statuesque group before him as black figures, rising,
falling, moving unsteadily in arcs of circles in a fiery sky. His hand
fell away from his weapon, his head slowly dropped until his face rested
on the leaves in which he lay. This courageous gentleman and hardy
soldier was near swooning from intensity of emotion.
Public-domain text, read in full here on John Shaqi.
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