In the youth of a nation there is virtual equality of fortunes—all are poor. Sixty years ago there were probably not a half dozen millionaires in America; the number now is not definitely known, but it runs into thousands; that of persons of less but considerable wealth—enough to take attention—into the hundreds of thousands. Poverty used to be rather proud of our millionaires; they were so few that the poor man seldom or never saw them, to mark the contrast between their abundance and his privation. Now the two are everywhere neighbors. The poor man sees “the idle rich” (who mostly work like beavers) in their carriages, while himself walks and, if it please him so to do, “takes their dust.” He looks into the windows of ballrooms and erroneously believes that the gorgeous creatures within are happier than he. If he happen to be so intellectual as to be distinguished in letters, art or some other profitless pursuit as to be sought by them, all the keener is his sense of the difference; all the more humiliating his inability to suffer their particular kind of disillusion. Partly because of that and partly because he is not a thinker but a feeler, the poet, the artist or the musician is almost invariably an audible socialist. True, some of these “intellectuals” (they might better be called emotionals) are themselves fairly thrifty and prosperous, and in the redistribution of wealth which many of them impudently propose would be first to experience the mischance of “restitution.” But doubtless they do not expect their blessed “new order of things” to come in their day. Meantime there are profit and a certain picturesqueness in “hailing the dawn” of a better one, just as if it had already struck “the Sultan’s tower with a shaft of light.”