The Collected Works of Ambrose Bierce, Volume 09: Tangential Views — John Shaqi
The Collected Works of Ambrose Bierce, Volume 09: Tangential ViewsBierce, Ambrose
General
The Collected Works of Ambrose Bierce, Volume 09: Tangential Views
Bierce, Ambrose
American essays; American literature
I shall have to add Mr. Saltus to my company of authors with private
systems of astronomy. The imagination robust enough to conceive a
crescent moon in the east at nightfall might even claim a place in a
dime museum.
Spielhagan has his full moon on the horizon at midnight by the castle
clock.
But the novelists are not alone in their ignorance of what is before
their eyes all their blessed lives: the poets know no more than they.
In her _Songs of the Night-Watches_ Jean Ingelow compels “a
slender moon” to “float up from behind” a person looking at the sunset
sky, and afterward makes the full moon “behind some ruined roof swim
up” at daybreak. To rout out the moon so early and make it get up, when
it must have been up all night attending to its duty as a full moon of
orderly habits, is a trifle heartless. In “Daylight and Moonlight,”
Longfellow, who seems imperfectly to have known how the latter was
produced, tells of a time when at midday he saw the moon
Sailing high, but faint and white
As a schoolboy’s paper kite.
Now if it was sailing high at noon it must have been, as seen from
earth, nearly on a line with the sun—that is to say, but little more
than “new”—that is to say, invisible in the daytime. But that is not
the worst of this business. A new moon is not only invisible at noon,
but sets soon after sunset, and would give but little light if it did
not. Yet this unearthly observer after relating how night came on adds:
Then the moon, in all her pride,
Like a spirit glorified,
Filled and overflowed the night
With revelations of her light.
It is mournful to think that this popular poet lived out his long
serene life without anybody suspecting his condition, nor offering him
the comforts of an asylum.
I have found similar blunders in the poems of Wordsworth, Coleridge,
Schiller, Moore, Shelley, Tennyson and Bayard Taylor. Of course a poet
is entitled to any kind of universe that may best suit his purpose, and
if he could give us better poetry by making the moon rise “full-orbed”
in the northwest and set like a “tin sickle” in the zenith I should
go in for letting him have his fling. But I do not discern any gain
in “sweetness and light” from these despotic readjustments of the
relations among sun, earth and moon, and must set it all down to the
account of ignorance, which, in any degree and however excusable, is
not a thing to be admired. Concerning nothing is it more general, more
deep, more dark, more invincible, nor withal, more needless, than it is
with regard to movements and visible aspects of our satellite. How one
can have eyes and not know the pranks of the several heavenly bodies
is possibly obvious to Omniscience, but a finite mind cannot rightly
understand it.
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