Love of poetry is universal, but this is not saying much; for men in general love it not as poetry, but as verse—the form in which it commonly finds utterance, and in which its utterance is most acceptable. Not that verse is essential to poetry; on the contrary, some of the finest poetry extant (some of the passages of the Book of Job, in the English version, for familiar examples) is neither metric nor rhythmic. I am not quite sure, indeed, but the best test of poetry yet discovered might not be its persistence or disappearance when clad in the garb of prose. In this opinion I differ, though with considerable reluctance, with General Lucius Foote, who asserts that “every feature which makes poetry to differ from prose is the result of expression.” This dictum he has fortified by but a single example: he puts a stanza of Tennyson’s “Charge of the Light Brigade” into very good prose. Now, for one who has at times come so perilously near to writing genuine poetry as has General Foote, this is a little too bad. Surely no man of so competent literary judgment ever before affected to believe that Tennyson’s resonant patriotic lines were poetry, in any sense. They are, however, a little less distant from it in General Foote’s prose version—“There were some cannons on the right, and some on the left, and some in front, and they fired with a great noise”—than they are in the original. And I have the hardihood to add that as a rule the “old favorites” of the lyceum—the ringing and rhetorical curled darlings of the public—the “Address to the American Flag,” “The Bells,” the “Curfew Must Not Ring To-night,” and all the ghastly lot of them, are very rubbishy stuff, indeed. There are exceptions, unfortunately, but to a cultivated taste—the taste of a mind that not only knows what it likes, but knows and can definitely state why it likes it—nine in ten of them are offencive. I say it is unfortunate that there are exceptions. It is unfortunate as impairing the beauty and symmetry of the rule, and unfortunate for the authors of the exceptional poems, who must endure through life the consciousness that their popularity is a cruel injustice.