The Collected Works of Ambrose Bierce, Volume 10: The OpinionatorBierce, Ambrose
General
The Collected Works of Ambrose Bierce, Volume 10: The Opinionator
Bierce, Ambrose
American essays; American literature
Far be it from me to underrate the value of the delicate and difficult
art of managing words. It is to poetry what color is to painting. The
thought is the outline drawing, which, if it be great, no dauber who
stops short of actually painting it out can make wholly mean, but to
which the true artist with his pigments can add a higher glory and
a new significance. No one who has studied style as a science and
endeavored to practice it as an art; no one who knows how to select
with subtle skill the word for the place; who balances one part of
his sentence against another; who has an alert ear for the harmony
of stops, cadences and inflections, orderly succession of accented
syllables and recurrence of related sounds—no one, in short, who knows
how to write prose can hold in light esteem an art so nearly allied
to his own as that of poetic expression, including as it does the
intricate one of versification, which itself embraces such a multitude
of dainty wisdoms. But expression is not all; while, on the one hand,
it can no more make a poetic idea prosaic than it can make falsehood
of truth, so, on the other, it is unable to elevate and beautify a
sentiment essentially vulgar or base. The experienced miner will no
more surely detect the presence of gold in the rough ore than a trained
judgment the noble sentiment in the crude or ludicrous verbiage in
which ignorance or humor may have cast it; and the terrier will with no
keener nose penetrate the disguise of the rat that has rolled in a bed
of camomile than the practiced intelligence detect the pauper thought
masquerading in fine words. The mind that does not derive a quiet
gratification from the bald statement that the course of the divine
river Alph was through caves of unknown extent, whence it fell into a
dark ocean, will hardly experience a thrill of delight when told by
Coleridge that
Alph, the sacred river, ran
Through caverns measureless to man,
Down to a sunless sea.
Nor would one who is capable of physically feeling the lines,
Full many a glorious morning have I seen
Flatter the mountain tops with sovereign eye,
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