“What would they have,” continued the great, sad man—“these ‘conservatives’? A language immune to change? That would be a dead language and we should have to evolve a successor. Ours has never been a changeless tongue; nothing is more mutable, even in its orthography. As it existed a few centuries ago it is now unintelligible except to a few specialists, yet every change has encountered as fierce hostility as any that is now proposed. Compare a page of ‘Beowulf’ with a page of the London _Times_ or _The Spectator_ and see what incalculable quantities of ‘crow’ the luckless ‘guardians of our noble tongue’ have had to swallow. Do you wonder, young man, that they are a dyspeptic folk? And did not Dr. Samuel Johnson formulate a great truth in the dictum that ‘every sick man is a scoundrel’?” “Surely,” ventured the Timorous Reporter, “you would not apply so harsh a word to the great English reviewers, nor to our own beloved Professor Harry Thurston Peck!” “To be consistent these gentlemen should not demand that the spelling remain as it is, for its present condition is the result of innumerable defeats of themselves and their predecessors by hardy ‘corruptors.’ It is pusillanimous of them not only to accept a situation that has been forced upon them but to proclaim it sacred and fight for its eternal maintenance. They should be making heroic efforts to restore at least the spelling of Hakluyt and Sir John Mandeville. It is not so very long since a few timid innovators began (as secretly as the nature of the rebellious act would permit) to leave off the ‘k’ in such words as ‘musick’ ‘publick’ and so forth. Instantly The wonted roar was up amid the woods, And filled the air with barbarous dissonance— the self-appointed ‘guardians of our noble tongue’ rose as one old lady and swore that rather than submit they would run away! That sacred ‘k’ is no more, but they are with us yet, untaught by failure and unstilled by shame. It is the nature of a fool to hate a thing when it is new, adore it when it is current, and despise it when it is obsolete.” Pleased with his epigram, the Melancholy Author so accentuated the sadness of his countenance as to invite a sincere compassion.