For my part I know of no remedy, nor do I believe that one can be formulated. It is of the nature of the more gigantic evils to be irremediable—a truth against which poor humanity instinctively revolts, entailing the additional afflictions of augmented nonsense and wasted endeavor. Nevertheless something may be done in mitigation. The marriage relation that we have we shall probably continue to have, and its Dead Sea fruits will grow no riper and sweeter with time. But the lie that describes them as luscious and satisfying is needless. Let the young be taught, not celibacy, but fortitude. Point out to them the exact nature of the fool’s paradise into which they will pretty certainly enter and perhaps ought to enter. Teach them that the purpose of marriage is whatever the teacher may conceive it to be, but _not_ happiness. Mercifully reduce the terrible disproportion between expectation and result. In so far as _The Kreutzer Sonata_ accomplishes this end, in so far as it teaches this lesson, it is a good book. II Tolstoi is a literary giant. He has a “giant’s strength,” and has unfortunately learned to “use it like a giant”—which, I take it, means not necessarily with conscious cruelty, but with stupidity. Excepting when he confines himself to pure romance, and to creation of works which, after the manner of Dr. Holmes, may be described as medicated fable—the man seems to write with the very faintest possible consciousness of anything good or even passably decent, in human nature. His characters are moved by motives which are redeemed from monstrous baseness only by being pettily base. In _War and Peace_, for example,—a book so crowded with characters, historical and imaginary, that the author himself can not carry them in his memory without dropping them all along his trail—there is but one person who is not either a small rascal or a great fool or both. Such a discreditable multitude of unpleasant persons no one but their maker—in whose image they are not made—ever collected between the covers of a single book. From Napoleon down to the ultimate mujik they go through life with heads full of confusion, hearts distended with selfishness and mouths running over with lies. If Tolstoi wrote as a satirist, with obvious cynicism, all this would be easily enough understood; but nothing, evidently, is further from his intention; he is essentially a preacher and honestly believes that his powerful caricatures are portraits from life; or rather—for that we may admit—that the total impression derived from a comprehensive view of them is a true picture of human character, charged in its every shadow (there are no lights) with instruction and edification. I can not say how it goes with others, but all that is left to me by this hideous “march past” of detestables; this sombre tableau of the intellectually dead; this fortuitous concourse of a random rascalry unlawfully begotten of an exuberant fancy and a