Now, the “dialect” of which these persons are so enamored as to fill whole volumes with it is not dialect; it is simply English as spoken by none but uneducated persons and “recorded” by those to whom ignorance is attractive and seems picturesque. To a sane intelligence it is neither. Such an intelligence regards it with tolerance or aversion—that depends on whether in life it is modest or presumptuous; in letters, subordinate and incidental or dominant and essential. The writers named—they and their literary co-populists, an innumerable commonalty—love ignorance for its own sake. They seem to think, and indubitably do think, that the lives and adventures, the virtues and vices, joys and sorrows of the illiterate are more interesting than those prone to grammar and ablution. To those fortuitous collocations of peasant instincts and pithecan intuitions which these writers call their understandings a sentiment is deemed to have an added value when expressed in coarse and faulty speech. So they give us whole books of it, coddle the resulting popularity as “fame” and prosper abundantly by their sin. There are dialects which in literary work are legitimate and acceptable—to those who understand. That of Burns, for example, is spoken by thousands of cultivated persons and was his own mother-tongue. He erred in writing in it, as do all having command of the better and more spacious speech that assures a wider attention, but in so doing, he broke no laws of taste nor of sense. The matter is simple enough. A true dialect is legitimate; the faulty speech of an educated person in an unfamiliar tongue is legitimate, as is that of a child; but the lame locution of the merely ignorant—the language of the letterless—that is not dialect, and in any quantity in excess of an amount that may be needful in fiction for _vraisemblance_, or in verse for humor, is reasonless and offensive. As to poetry, our literature contains no line of that in any such speech. The muse is not so feasible; she does not submit herself to the embrace of a yokel—not even to a Tennyson wearing the smock of a northern farmer.