The Collected Works of Ambrose Bierce, Volume 11: AntepenultimataBierce, Ambrose
General
The Collected Works of Ambrose Bierce, Volume 11: Antepenultimata
Bierce, Ambrose
American essays; American literature
For several months the booksellers of the principal cities in this
country reported that the book _David Harum_ sold better than any
other. The sales went into the hundreds of thousands. It was reviewed
with acclamation by all the popular newspapers and magazines, stared
at you from every “centre table” and was flung into your ears whenever
you had the hardihood to enter a “parlor.” _David Harum_ is one of the
most candidly vulgar and stupid books ever proffered to the taste and
understanding of “the general reader.” It is of course largely written
in “dialect”—that is, in the loutly locution of an illiterate clown
making a trial at his mother-speech. Its “dialect” is so particularly
offensive that I suppose it to be a “transcript from nature:” persons
from whom it is possible would certainly not deny themselves the
happiness of speaking it; and the book may have some value to the
hardy philologer tracing backward the line of linguistic evolution to
the grunt of the primeval pig. To record the vocal riddances of the
ignorant may be one of the purposes of popular fiction, for anything
that I know, but at least its authors might, in the interest of art,
charge its horrible words with something that one unaffected by
softening of the brain might think to be thoughts; and perhaps they
would if that pandemic infirmity had not marked them for its own.
Male and female created He them. Mary E. Wilkins Freeman furnishes
forth her annual output of New-English antiques and detestables, filing
their teeth with their tongues, to the inexpressible uncomforting
of the auditory nerve. Mary Murfree, in perpetual session on the
Delectable Mountains, with a lapful of little clay-eaters and
snuff-rubbers, sweats great beads of blood to build the lofty crime
and endow it with enough galvanic vitality to stand alone while she
reaches for more mud for a new creation. There follows an interminable
line of imitators and imitatresses, causing two “dialects” to grow
where but one grew before, and rabbiting the literary preserve with a
multiplication of impossibles to speak them. And we forbid them not,
for of such is the kingdom of American letters.
Public-domain text, read in full here on John Shaqi.
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