The collected works of Henrik Ibsen, Vol. 08 (of 11)Ibsen, Henrik
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The collected works of Henrik Ibsen, Vol. 08 (of 11)
Ibsen, Henrik
Ibsen, Henrik, 1828-1906 -- Translations into English; Norwegian drama -- Translations into English
[_Bowing, with self-command._] So I have observed; and therefore I take
my hat and go.
WERLE.
You are going! Out of the house?
GREGERS.
Yes. For at last I see my mission in life.
WERLE.
What mission?
GREGERS.
You would only laugh if I told you.
WERLE.
A lonely man doesn’t laugh so easily, Gregers.
GREGERS.
[_Pointing towards the background._] Look, father,—the Chamberlains are
playing blind-man’s-buff with Mrs. Sörby.—Good-night and good-bye.
[_He goes out by the back to the right. Sounds of laughter and
merriment from the Company, who are now visible in the outer
room._
WERLE.
[_Muttering contemptuously after_ GREGERS.] Ha——! Poor wretch—and he
says he is not over-strained!
ACT SECOND.
HIALMAR EKDAL’S _studio, a good-sized room, evidently in the top storey
of the building. On the right, a sloping roof of large panes of
glass, half-covered by a blue curtain. In the right-hand corner,
at the back, the entrance door; farther forward, on the same side,
a door leading to the sitting-room. Two doors on the opposite
side, and between them an iron stove. At the back, a wide double
sliding-door. The studio is plainly but comfortably fitted up and
furnished. Between the doors on the right, standing out a little
from the wall, a sofa with a table and some chairs; on the table a
lighted lamp with a shade; beside the stove an old arm-chair.
Photographic instruments and apparatus of different kinds lying
about the room. Against the back wall, to the left of the double
door, stands a bookcase containing a few books, boxes, and bottles
of chemicals, instruments, tools, and other objects. Photographs
and small articles, such as camel’s-hair pencils, paper, and so
forth, lie on the table._
GINA EKDAL _sits on a chair by the table, sewing._ HEDVIG _is sitting on
the sofa, with her hands shading her eyes and her thumbs in her
ears, reading a book._
GINA.
[_Glances once or twice at_ HEDVIG, _as if with secret anxiety; then
says_:] Hedvig!
HEDVIG.
[_Does not hear._]
GINA.
[_Repeats more loudly._] Hedvig!
HEDVIG.
[_Takes away her hands and looks up._] Yes, mother?
GINA.
Hedvig dear, you mustn’t sit reading any longer now.
HEDVIG.
Oh mother, mayn’t I read a little more? Just a little bit?
GINA.
No no, you must put away your book now. Father doesn’t like it; he never
reads hisself in the evening.
Public-domain text, read in full here on John Shaqi.
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