The collected works of William Hazlitt, Vol. 01 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 01 (of 12)
Hazlitt, William
English essays -- 19th century
Burns, when about to sail for America after the first publication of
his poems, consoled himself with ‘the delicious thought of being
regarded as a clever fellow, though on the other side of the
Atlantic.’
Footnote 59:
This man (Burke) who was a half poet and a half philosopher, has done
more mischief than perhaps any other person in the world. His
understanding was not competent to the discovery of any truth, but it
was sufficient to palliate a falsehood; his reasons, of little weight
in themselves, thrown into the scale of power, were dreadful. Without
genius to adorn the beautiful, he had the art to throw a dazzling veil
over the deformed and disgusting; and to strew the flowers of
imagination over the rotten carcass of corruption, not to prevent, but
to communicate the infection. His jealousy of Rousseau was one chief
cause of his opposition to the French Revolution. The writings of the
one had changed the institutions of a kingdom; while the speeches of
the other, with the intrigues of his whole party, had changed nothing
but the _turnspit of the King’s kitchen_. He would have blotted out
the broad pure light of Heaven, because it did not first shine in at
the little Gothic windows of St. Stephen’s Chapel. The genius of
Rousseau had levelled the towers of the Bastile with the dust; our
zealous reformist, who would rather be doing mischief than nothing,
tried, therefore, to patch them up again, by calling that loathsome
dungeon the King’s castle, and by fulsome adulation of the virtues of
a Court strumpet. This man,—but enough of him here.
Footnote 60:
This word is not English.
Footnote 61:
Written in 1806.
Footnote 62:
Plato’s cave, in which he supposes a man to be shut up all his life
with his back to the light, and to see nothing of the figures of men,
or other objects that pass by, but their shadows on the opposite wall
of his cell, so that when he is let out and sees the real figures, he
is only dazzled and confounded by them, seems an ingenious satire on
the life of a book-worm.
Footnote 63:
The following lively description of this actress is given by Cibber in
his Apology:—
Public-domain text, read in full here on John Shaqi.
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