The collected works of William Hazlitt, Vol. 01 (of 12) — John Shaqi
The collected works of William Hazlitt, Vol. 01 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 01 (of 12)
Hazlitt, William
English essays -- 19th century
It should seem as if there were a
few green sunny spots in the desert of life, to which we are always
hastening forward: we eye them wistfully in the distance, and care not
what perils or suffering we endure, so that we arrive at them at last.
However weary we may be of the same stale round—however sick of the
past—however hopeless of the future—the mind still revolts at the
thought of death, because the fancied possibility of good, which always
remains with life, gathers strength as it is about to be torn from us
for ever, and the dullest scene looks bright compared with the darkness
of the grave. Our reluctance to part with existence evidently does not
depend on the calm and even current of our lives, but on the force and
impulse of the passions. Hence that indifference to death which has been
sometimes remarked in people who lead a solitary and peaceful life in
remote and barren districts. The pulse of life in them does not beat
strong enough to occasion any violent revulsion of the frame when it
ceases. He who treads the green mountain turf, or he who sleeps beneath
it, enjoys an almost equal quiet. The death of those persons has always
been accounted happy, who had attained their utmost wishes, who had
nothing left to regret or to desire. Our repugnance to death increases
in proportion to our consciousness of having lived in vain—to the
violence of our efforts, and the keenness of our disappointments—and to
our earnest desire to find in the future, if possible, a rich amends for
the past. We may be said to nurse our existence with the greatest
tenderness, according to the pain it has cost us; and feel at every step
of our varying progress the truth of that line of the poet—
‘An ounce of sweet is worth a pound of sour.’
Public-domain text, read in full here on John Shaqi.
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