he never gave them that title, but said Monsieur Lacy, &c.; and when he addressed Laudohn, who had not been honoured with that rank, he always called him Field Marshal Laudohn. The Emperor understood the reproof; and a few weeks afterwards, created him a Field Marshal. These particulars were told by G——. I do not know whether they are common stories; but they agree with the character of Laudohn, and are probably true. When G—— went, I conversed with O—— on Shakspeare, of whom he had no great opinion. Corneille, Racine, Crebillon, and Voltaire, he supposed the most perfect writers of tragedy. He held verse, that is, rhyme, to be essential to the French theatre; and urged the hexameters of Greece and Rome, and English blank verse. He was unwilling to allow it was much more probable, when the tone of passion is raised, for men to speak in hexameters than in rhyme, or in alexandrines. I affirmed, they might still more easily speak in the blank verse of Shakspeare, which in reality is only an harmonious and measured prose. P. at Debrett’s, when he had done with Lords and M.P.’s spoke to me. Cornfactors are beginning to speculate on a bad harvest. After dinner, sat half an hour at Opie’s. G. Dyer there. _14th._—Saw in the newspaper another of Garat’s speeches at the court of Naples. Read one yesterday, which, for its pedantry and foppery, was highly ridiculous. Garat compares France to the ancient republics; and says she imitates them in sending out her philosophy and philosophers (himself one) to kings and states, and subjugated lands. There is something extremely offensive in the vapouring of this great nation, or, rather, of the persons who take upon them to govern and be the mouthpiece of the nation, which certainly has the character of grandeur, both of virtue and vice; but which yet has a strange propensity, in certain points of view, to render itself contemptible.