The collected works of William Hazlitt, Vol. 02 (of 12)Hazlitt, William
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The collected works of William Hazlitt, Vol. 02 (of 12)
Hazlitt, William
English essays -- 19th century
‘That love of the marvellous which is natural to ill-informed man, is
still more lively in childhood. I used to listen with the greatest
pleasure to a tale of providential interference; my blood thrilled
through my frame at a story of an angel alighting in a field, walking up
to a worthy clergyman, telling him a secret known only to himself, and
then persuading him to change his road, by which he avoided the
murderers that were lying in wait for him. Yet I know not how it
happened, but even at this time I refused to believe in witches; and
when stories of hobgoblins, of houses that were haunted, or of nightly
apparitions were repeated, I remained incredulous. I had either invented
or heard some of the plain arguments which shewed the absurdity of such
opinions. It will be seen in the following chapter, that my incredulity
in this respect was of use to me, though I cannot account for the manner
in which I came by it at so early an age.
‘Books of piety, if the author were but inspired with zeal, fixed my
attention whenever I met with them: “the Whole Duty of Man” was my
favourite study, and still more Horneck’s “Crucified Jesus.” I had not
yet arrived at Baxter’s “Saint’s Everlasting Rest,” or “The Life of
Francis Spira;” but John Bunyan I ranked among the most divine authors I
had ever read. In fact I was truly well-intentioned, but my zeal was too
ardent, and liable to become dangerous.
‘One day as I happened to be passing the church, I heard voices singing,
which exercise I admired; and having, as I thought, a tuneful voice, I
was desirous of becoming acquainted with so pleasing an art. I
approached the church door, found it open, and went in, when I found my
ear charmed with some heavenly addition to the sweet melody of music;
and on inquiry was told, they were singing in four parts. At the head of
them was a Mr Langham, who could sing in a feigned soprano’s voice, and
who was their instructor in music; for they were all acknowledged
learners except himself, and each of them paid him five shillings a
quarter for his trouble in teaching them. Having stood with delight to
listen some time, a conversation at length began, I was invited to try
my voice, and after a ready compliance, both my voice and ear were
pronounced to be good. Thus encouraged, I ventured to ask if I might
come among them; and was answered, yes; they should be very glad to have
me, for they much wanted a treble voice, and all they required was that
I should conform to the rules of the society. I inquired what those
rules were, and was told, they each paid five shillings entrance, and
five shillings a quarter to Mr Langham, another five shillings for
Arnold’s Psalmody; and that they paid forfeits of pennies and
two-pences, if they were absent on certain days, at certain hours, or
infringed other necessary bye-laws. An expense so great alarmed me: I
would willingly have complied with their forfeits, because I depended on
Public-domain text, read in full here on John Shaqi.
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