The collected works of William Hazlitt, Vol. 03 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 03 (of 12)
Hazlitt, William
English essays -- 19th century
the mother of abominations, the daughter of lies. Dig up the bones of a
few of her wretched favourites you may, in Carmelite dresses or any
other trumpery; but can you dig up the bones of the men that she has
murdered, from the earliest time? can you collect the blood of the
millions of men that she has sacrificed in the last twenty-five years
alone, and pour it into the Thames, while our merchant-men ride
freighted with gold upon the gory stream, and the Editor of _The Times_
(without being called to account for it) applauds with the ‘sweet
thunder’ of his pen the proud balance of our exports and our imports,
blood and gold? or can you collect the sighs and dried-up tears of
wretches that she, Legitimacy, has doomed to pine without a cause in
dungeons, to prove that she is the dread sovereign of the human heart?
or the groans and shrieks of victims stretched on the rack, or consumed
by slow fire, to prove that the minds of men belong to her? or the cries
of hunger and pinching cold, the sweat, the rags, the diseases, the
emaciated wan looks, by which she proves that the bodies of men are
her’s? or can you conjure up the wide spreading desolation which she
breathes from her nostrils, the famine and pestilence which she scatters
before her for her sport and wantonness, the ruins of cities and of
countries which she makes her throne, and from which, amidst the groans
of the dying and the dead, she utters, laughing, the sacred doctrine of
‘millions made for one!’—One thing contents us, and sits light upon our
hearts, that we have always seen through her disguises: we have known
her from first to last, though ‘she has changed shapes with Proteus,’
and now gone by the name of Religion, now of Social Order, now of
Morality, now been personified at Guildhall as Trade and Commerce, or
sat in the Speaker’s chair as the English Constitution (the most
impudent trick of all)—under none of these respectable alias’s and
swindling characters, nor when she towered above the conflagration of
Moscow, _dressed in a robe of flame-coloured taffeta_, or sat perched as
Victory on the crests of British soldiers, nor when she hovered over the
frightened country as the harpy of Invasion; no, nor at any other time
did we ever take her for any thing but what we knew she was, the
patron-saint of tyrants and of slaves; an adulteress, an impostor, and a
murderess. The world, whom she has juggled, begin to find her out too:
it will hardly ‘stand now with her sorceries and her lies, and the blood
of men, with which she has made herself drunk’; and we may yet live to
see her carted for a bawd.
Public-domain text, read in full here on John Shaqi.
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