The collected works of William Hazlitt, Vol. 04 (of 12)Hazlitt, William
Philosophy
The collected works of William Hazlitt, Vol. 04 (of 12)
Hazlitt, William
English essays -- 19th century
has only to draw the sliders of his imagination, and a thousand subjects
expand before him, startling him with their brilliancy, or losing
themselves in endless obscurity—
‘And by the force of blear illusion,
They draw him on to his confusion.’
What is the little he could add to the stock, compared with the
countless stores that lie about him, that he should stoop to pick up a
name, or to polish an idle fancy? He walks abroad in the majesty of an
universal understanding, eyeing the ‘rich strond,’ or golden sky above
him, and ‘goes sounding on his way,’ in eloquent accents, uncompelled
and free!
Persons of the greatest capacity are often those, who for this reason do
the least; for surveying themselves from the highest point of view,
amidst the infinite variety of the universe, their own share in it seems
trifling, and scarce worth a thought, and they prefer the contemplation
of all that is, or has been, or can be, to the making a coil about doing
what, when done, is no better than vanity. It is hard to concentrate all
our attention and efforts on one pursuit, except from ignorance of
others; and without this concentration of our faculties, no great
progress can be made in any one thing. It is not merely that the mind is
not capable of the effort; it does not think the effort worth making.
Action is one; but thought is manifold. He whose restless eye glances
through the wide compass of nature and art, will not consent to have
‘his own nothings monstered’: but he must do this, before he can give
his whole soul to them. The mind, after ‘letting contemplation have its
fill,’ or
‘Sailing with supreme dominion
Through the azure deep of air,’
sinks down on the ground, breathless, exhausted, powerless, inactive; or
if it must have some vent to its feelings, seeks the most easy and
obvious; is soothed by friendly flattery, lulled by the murmur of
immediate applause, thinks as it were aloud, and babbles in its dreams!
A scholar (so to speak) is a more disinterested and abstracted character
than a mere author. The first looks at the numberless volumes of a
library, and says, ‘All these are mine’: the other points to a single
volume (perhaps it may be an immortal one) and says, ‘My name is written
on the back of it.’ This is a puny and groveling ambition, beneath the
lofty amplitude of Mr. Coleridge’s mind. No, he revolves in his wayward
soul, or utters to the passing wind, or discourses to his own shadow,
things mightier and more various!—Let us draw the curtain, and unlock
the shrine.
Learning rocked him in his cradle, and while yet a child,
‘He lisped in numbers, for the numbers came.’
Public-domain text, read in full here on John Shaqi.
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