The collected works of William Hazlitt, Vol. 04 (of 12)Hazlitt, William
Philosophy
The collected works of William Hazlitt, Vol. 04 (of 12)
Hazlitt, William
English essays -- 19th century
At sixteen he wrote his _Ode on Chatterton_, and he still reverts to
that period with delight, not so much as it relates to himself (for that
string of his own early promise of fame rather jars than otherwise) but
as exemplifying the youth of a poet. Mr. Coleridge talks of himself,
without being an egotist, for in him the individual is always merged in
the abstract and general. He distinguished himself at school and at the
University by his knowledge of the classics, and gained several prizes
for Greek epigrams. How many men are there (great scholars, celebrated
names in literature) who having done the same thing in their youth, have
no other idea all the rest of their lives but of this achievement, of a
fellowship and dinner, and who, installed in academic honours, would
look down on our author as a mere strolling bard! At Christ’s Hospital,
where he was brought up, he was the idol of those among his
schoolfellows, who mingled with their bookish studies the music of
thought and of humanity; and he was usually attended round the cloisters
by a group of these (inspiring and inspired) whose hearts, even then,
burnt within them as he talked, and where the sounds yet linger to mock
ELIA on his way, still turning pensive to the past! One of the finest
and rarest parts of Mr. Coleridge’s conversation, is when he expatiates
on the Greek tragedians (not that he is not well acquainted, when he
pleases, with the epic poets, or the philosophers, or orators, or
historians of antiquity)—on the subtle reasonings and melting pathos of
Euripides, on the harmonious gracefulness of Sophocles, tuning his
love-laboured song, like sweetest warblings from a sacred grove; on the
high-wrought trumpet-tongued eloquence of Æschylus, whose Prometheus,
above all, is like an Ode to Fate, and a pleading with Providence, his
thoughts being let loose as his body is chained on his solitary rock,
and his afflicted will (the emblem of mortality)
‘Struggling in vain with ruthless destiny.’
As the impassioned critic speaks and rises in his theme, you would think
you heard the voice of the Man hated by the Gods, contending with the
wild winds as they roar, and his eye glitters with the spirit of
Antiquity!
Public-domain text, read in full here on John Shaqi.
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