The collected works of William Hazlitt, Vol. 06 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 06 (of 12)
Hazlitt, William
English essays -- 19th century
We have had two artists of our own country, whose fate has been as
singular as it was hard. Gandy was a portrait-painter in the beginning
of the last century, whose heads were said to have come near to
Rembrandt’s, and he was the undoubted prototype of Sir Joshua Reynolds’s
style. Yet his name has scarcely been heard of; and his reputation, like
his works, never extended beyond his own county. What did he think of
himself and of a fame so bounded! Did he ever dream he was indeed an
artist? Or how did this feeling in him differ from the vulgar conceit of
the lowest pretender? The best known of his works is a portrait of an
alderman of Exeter, in some public building in that city.
Poor Dan. Stringer! Forty years ago he had the finest hand and the
clearest eye of any artist of his time, and produced heads and drawings
that would not have disgraced a brighter period in the art. But he fell
a martyr (like Burns) to the society of country-gentlemen, and then of
those whom they would consider as more his equals. I saw him many years
ago, when he treated the masterly sketches he had by him (one in
particular of the group of citizens in Shakespear ‘swallowing the
tailor’s news’) as ‘bastards of his genius, not his children;’ and
seemed to have given up all thoughts of his art. Whether he is since
dead, I cannot say: the world do not so much as know that he ever lived!
ESSAY III
ON THE PAST AND FUTURE
I have naturally but little imagination, and am not of a very sanguine
turn of mind. I have some desire to enjoy the present good, and some
fondness for the past; but I am not at all given to building castles in
the air, nor to look forward with much confidence or hope to the
brilliant illusions held out by the future. Hence I have perhaps been
led to form a theory, which is very contrary to the common notions and
feelings on the subject, and which I will here try to explain as well as
I can.—When Sterne in the Sentimental Journey told the French Minister
that if the French people had a fault, it was that they were too
serious, the latter replied that if that was his opinion, he must defend
it with all his might, for he would have all the world against him; so I
shall have enough to do to get well through the present argument.
Public-domain text, read in full here on John Shaqi.
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